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All is well that ends well.
In my mind, this novel did not end well.
There were definitely segments of this novel which warranted 5 stars: Carlos's letters and history, the pamphlet on Mussolini, his short but astute observation on the flaws of symmetry ( which I was especially interested in, being an ardent lover of balance), and La Scala's rehearsals (how I laughed out loud!).
In addition, de Bernieres had that ability to make me hate characters, that is a literary gift.
His descriptions of the warfront were perfect.
There were two areas where this author failed me as a reader.
First, it seemed de Bernieres was caught in Peter Jackson's dilemma as he came to the conclusion of the epic LORD OF THE RINGS trilogy: Return of the King.
How to end it?
Louis could have ended it tragically 70 pages from where he did, and I would have accepted this finale to this novel, so replete with heartbreaks and horrors. To attempt a semi-happy ending, after building and building in new characters for the sake of getting there was less than satisfying, though I am forever an admitted hopeless romantic.
Secondly, there were elements of fiction which became more like fantasy, and I was too often transported between believing the characters and their experiences ( and many were all too real) and then a few pages later thinking, "Now why did he write that?"
This book was definitely written with genius, but there were times I felt the author wanting to please the reader, rather than taking the storyline where it was meant to go.
Corelli's words on symmetry:
"Symmetry is only a property of dead things. Did you ever see a tree or a mountain that was symmetrical? It's fine for buildings, but if you ever see a symmetrical human face, you will have the impression that you ought to think it beautiful, but that in fact you find it cold. The human heart likes a little disorder in its geometry...Look at your face in the mirror...and you will see that one eyebrow is a little higher than the other, that the set of the lid of your left eye is such that the eye is a fraction more open than the other. It is these things that make you both attractive and beautiful, whereas...otherwise you would be a statue. Symmetry is for God, not for us."
TRUE! Symmetry is for God! That is why when I come across a human face that has symmetry, I know it is one that our Maker spent a little more time on, and thus I am intrigued. Perhaps, it's a form of envy. I am anything but symmetrical, given my scoliosis-ridden spine, my right eye that slants uncontrollably downward in the corner, my teeth that will never line up like a nice white picket fence (no matter how many times they're braced), and my brows, which need constant herding into semi-orderly arches...and don't even get me started on my fingers.
Any man I have every loved has been statuesque. My dream home would be carefully balanced, like the Parthenon. Even the keyboard of pianos, beautifully laid out with 88 keys satisfy my love of symmetry.
Corelli you were right. Symmetry is for God, and thank goodness His perfection occasionally manifests itself in our imperfect world.
In my mind, this novel did not end well.
There were definitely segments of this novel which warranted 5 stars: Carlos's letters and history, the pamphlet on Mussolini, his short but astute observation on the flaws of symmetry ( which I was especially interested in, being an ardent lover of balance), and La Scala's rehearsals (how I laughed out loud!).
In addition, de Bernieres had that ability to make me hate characters, that is a literary gift.
His descriptions of the warfront were perfect.
There were two areas where this author failed me as a reader.
First, it seemed de Bernieres was caught in Peter Jackson's dilemma as he came to the conclusion of the epic LORD OF THE RINGS trilogy: Return of the King.
How to end it?
Louis could have ended it tragically 70 pages from where he did, and I would have accepted this finale to this novel, so replete with heartbreaks and horrors. To attempt a semi-happy ending, after building and building in new characters for the sake of getting there was less than satisfying, though I am forever an admitted hopeless romantic.
Secondly, there were elements of fiction which became more like fantasy, and I was too often transported between believing the characters and their experiences ( and many were all too real) and then a few pages later thinking, "Now why did he write that?"
This book was definitely written with genius, but there were times I felt the author wanting to please the reader, rather than taking the storyline where it was meant to go.
Corelli's words on symmetry:
"Symmetry is only a property of dead things. Did you ever see a tree or a mountain that was symmetrical? It's fine for buildings, but if you ever see a symmetrical human face, you will have the impression that you ought to think it beautiful, but that in fact you find it cold. The human heart likes a little disorder in its geometry...Look at your face in the mirror...and you will see that one eyebrow is a little higher than the other, that the set of the lid of your left eye is such that the eye is a fraction more open than the other. It is these things that make you both attractive and beautiful, whereas...otherwise you would be a statue. Symmetry is for God, not for us."
TRUE! Symmetry is for God! That is why when I come across a human face that has symmetry, I know it is one that our Maker spent a little more time on, and thus I am intrigued. Perhaps, it's a form of envy. I am anything but symmetrical, given my scoliosis-ridden spine, my right eye that slants uncontrollably downward in the corner, my teeth that will never line up like a nice white picket fence (no matter how many times they're braced), and my brows, which need constant herding into semi-orderly arches...and don't even get me started on my fingers.
Any man I have every loved has been statuesque. My dream home would be carefully balanced, like the Parthenon. Even the keyboard of pianos, beautifully laid out with 88 keys satisfy my love of symmetry.
Corelli you were right. Symmetry is for God, and thank goodness His perfection occasionally manifests itself in our imperfect world.