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Read through chapter 29 which is the end of the original material by Edith Wharton.
Well well! This book was uneven - it starts off with incredible momentum, I was mesmerized! - but after the time skip, when book 3 begins, events and characterizations become sketchy and lose momentum drastically. It's a bit disappointing.
But even so, as I read on, there are excellent parts: the examinations of (courtly) married life and gender roles, cultural and class differences, and the perspectives of the older upper crust women which I joked about but which comprise an important, textured, and meaningful heart of the book. Oddly, it's through those upper crust ladies that the story is really *seen*, emotionally, and I'm not clever enough to say if that's some sort of commentary (I suppose it is), but the effect is cool. The whole book feels as if it's riding on a kind of wild gossip-energy, the girls like sprites, the men hardly there, and time flying by in conversation, dinner parties, and dances.
It's good stuff. Judging by the quality of the first half, if Edith had finished the content and revised the jank of the time skip, this likely would've been amazing. As it is, the first half was a real joy and the second half is a framework with glimpses of promise. And that's enough for me to say that this was worth it. Edith, I'll be returning to you in the future!
Well well! This book was uneven - it starts off with incredible momentum, I was mesmerized! - but after the time skip, when book 3 begins, events and characterizations become sketchy and lose momentum drastically. It's a bit disappointing.
But even so, as I read on, there are excellent parts: the examinations of (courtly) married life and gender roles, cultural and class differences, and the perspectives of the older upper crust women which I joked about but which comprise an important, textured, and meaningful heart of the book. Oddly, it's through those upper crust ladies that the story is really *seen*, emotionally, and I'm not clever enough to say if that's some sort of commentary (I suppose it is), but the effect is cool. The whole book feels as if it's riding on a kind of wild gossip-energy, the girls like sprites, the men hardly there, and time flying by in conversation, dinner parties, and dances.
It's good stuff. Judging by the quality of the first half, if Edith had finished the content and revised the jank of the time skip, this likely would've been amazing. As it is, the first half was a real joy and the second half is a framework with glimpses of promise. And that's enough for me to say that this was worth it. Edith, I'll be returning to you in the future!