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In Cold Blood by Truman Capote was described by its author as a non-fiction novel.
The novel was first published in 1965 and at the time this style of writing, perhaps even the template for a new genre, was fresh and new and bold. Almost 50 years later and the disturbing images are as fresh, vibrant and malevolent as when the ink was wet.
The style of writing has no doubt inspired generations of writers since, but their imitation has done little to diminish the power of Capote’s work. Whether it was wholly accurate or not is for journalists and scholars to debate, but for the reader, his vision was compelling and his perspective on the crime, and especially as a character study, almost a biography, on the criminals is hypnotic.
Critics may take umbrage with Capote’s sympathetic depiction of the killer’s plight, and perhaps such an argument has great merit, since the murderers showed no mercy to their victims, but Capote’s contribution lies in his objective illumination of all the surrounding facts and details of the crime. The author began with the crime scene outlines of the victims as they were stenciled on the floor of an upper middle class home in western Kansas and rippled outward until his narrative covered the lives, background and family dynamics of the victims, their murderers and the laws and cultures that had produced both.
A staggeringly detailed account of a brutal slaying, Capote has left us with a rich literary gift that should be on a list of books that must be read.
The novel was first published in 1965 and at the time this style of writing, perhaps even the template for a new genre, was fresh and new and bold. Almost 50 years later and the disturbing images are as fresh, vibrant and malevolent as when the ink was wet.
The style of writing has no doubt inspired generations of writers since, but their imitation has done little to diminish the power of Capote’s work. Whether it was wholly accurate or not is for journalists and scholars to debate, but for the reader, his vision was compelling and his perspective on the crime, and especially as a character study, almost a biography, on the criminals is hypnotic.
Critics may take umbrage with Capote’s sympathetic depiction of the killer’s plight, and perhaps such an argument has great merit, since the murderers showed no mercy to their victims, but Capote’s contribution lies in his objective illumination of all the surrounding facts and details of the crime. The author began with the crime scene outlines of the victims as they were stenciled on the floor of an upper middle class home in western Kansas and rippled outward until his narrative covered the lives, background and family dynamics of the victims, their murderers and the laws and cultures that had produced both.
A staggeringly detailed account of a brutal slaying, Capote has left us with a rich literary gift that should be on a list of books that must be read.