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Bill Bryson is on a short-list of go-to writers when I need a thoughtful but not too taxing book. His travel works seem to follow the Bryson formula:
1. Bryson travels around a country and gets drunk in hotel bars.
2. Bryson gets pissed off at rude and stupid people but is usually forgiving and self-depreciating.
3. Bryson assiduously researches the locales beforehand and integrates history into his itineraries and narratives.
4. Bryson writes with impeccable skill.
5. Bryson balances mundane details with broader musings about wherever he's visiting.
Bryson makes travel writing look easy but I don't undervalue his talent. He's funny more often than not, like when he describes the joys of tacky roadside attractions and his decision to trespass through a suburban backyard when he thinks a dog is chasing him through a park. He keeps the text moving and harmonizes the personal and cultural with respect but without sanctimony. Bryson maintains a willingness to criticize and even mock a culture when, well, the culture deserves criticism or mockery. Bryson doesn't look or sound like one might expect from a travel writer; he's a fat middle-aged guy who grew up in Iowa, not some tanned and overtly fit mountain climber with flowing locks and a beard styled to look un-styled. He can dispense with all pretense of coolness and write about his travels from a laid-back perspective.
6. In a Sunburned Country outlines four central messages about Australia:
1) The country is so huge and varied that comprehending all the disparate elements as representative of one cohesive nation is very difficult.
2) The rest of the world kind of forgets about Australia most of the time, except for New Year's Eve or whenever there's reason to show fireworks over the Sydney Opera House.
3) You can get killed in many interesting ways there.
4) While many white Australians are preternaturally friendly the country still shits on the Aborigines.
Bryson faces a curious paradox when addressing Australia. When describing the country's expanse and diversity he runs the risk of repeating himself. He seems to get a little frustrated with the idea that, for example, while he doesn't have the space or time to describe all the nuances of the huge, barren bush country that comprises much of non-coastal Australia he's essentially describing, you know, the bush country over and over again. You can say “we are way out in the middle of nowhere” but communicating exactly what that means is more difficult than one can expect from even the best travel writer. Bryson does his best by adding key details (e.g. describing how much he hates the ocean and fears jellyfish) and his best is damn good. He also avoids the cliches, never once mentioning vegemite or Men at Work. I liked In a Sunburned Country and I don't want to downplay Bryson's hard work and excellent narratives. His humility is admirable and I think he's underrated possibly because he's so damn uncool. And I'd rather drive around Australia with someone uncool but courteous and appreciative of decent hotel rooms than a guy who wants to mine the trip for hipster stories he can tell at coffee shops back home. Bryson delivers with In a Sunburned Country. The next time my brain is slightly fried I'll work through the next book in his catalog and be happy, I imagine, I did.
1. Bryson travels around a country and gets drunk in hotel bars.
2. Bryson gets pissed off at rude and stupid people but is usually forgiving and self-depreciating.
3. Bryson assiduously researches the locales beforehand and integrates history into his itineraries and narratives.
4. Bryson writes with impeccable skill.
5. Bryson balances mundane details with broader musings about wherever he's visiting.
Bryson makes travel writing look easy but I don't undervalue his talent. He's funny more often than not, like when he describes the joys of tacky roadside attractions and his decision to trespass through a suburban backyard when he thinks a dog is chasing him through a park. He keeps the text moving and harmonizes the personal and cultural with respect but without sanctimony. Bryson maintains a willingness to criticize and even mock a culture when, well, the culture deserves criticism or mockery. Bryson doesn't look or sound like one might expect from a travel writer; he's a fat middle-aged guy who grew up in Iowa, not some tanned and overtly fit mountain climber with flowing locks and a beard styled to look un-styled. He can dispense with all pretense of coolness and write about his travels from a laid-back perspective.
6. In a Sunburned Country outlines four central messages about Australia:
1) The country is so huge and varied that comprehending all the disparate elements as representative of one cohesive nation is very difficult.
2) The rest of the world kind of forgets about Australia most of the time, except for New Year's Eve or whenever there's reason to show fireworks over the Sydney Opera House.
3) You can get killed in many interesting ways there.
4) While many white Australians are preternaturally friendly the country still shits on the Aborigines.
Bryson faces a curious paradox when addressing Australia. When describing the country's expanse and diversity he runs the risk of repeating himself. He seems to get a little frustrated with the idea that, for example, while he doesn't have the space or time to describe all the nuances of the huge, barren bush country that comprises much of non-coastal Australia he's essentially describing, you know, the bush country over and over again. You can say “we are way out in the middle of nowhere” but communicating exactly what that means is more difficult than one can expect from even the best travel writer. Bryson does his best by adding key details (e.g. describing how much he hates the ocean and fears jellyfish) and his best is damn good. He also avoids the cliches, never once mentioning vegemite or Men at Work. I liked In a Sunburned Country and I don't want to downplay Bryson's hard work and excellent narratives. His humility is admirable and I think he's underrated possibly because he's so damn uncool. And I'd rather drive around Australia with someone uncool but courteous and appreciative of decent hotel rooms than a guy who wants to mine the trip for hipster stories he can tell at coffee shops back home. Bryson delivers with In a Sunburned Country. The next time my brain is slightly fried I'll work through the next book in his catalog and be happy, I imagine, I did.