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I was quite afraid I wouldn't take to the book considering how many people close to me -- as well as at parties -- would rage, rage, RAGE at my never having read Hitchhiker's Guide. What would the fallout be? Would I be shanked at the next party I went to if, when asked about my liking of the book, I were to shrug? Oh, the anxiety!
But I'm happy to report I did like it.
A lot, too, once the sperm whale and petunia chapter came up, and then all the more when the old world builder (or award-winning fjord artist) wandered in. And then I felt as if I might come to possibly have a crush on the book after Zaphod gave his monologue about how he thinks.
The absurdity in the story and its world was of the specific kind I care about -- an absurdity that manages to parallel this world's absurdity but tinged with mystery, whimsy, and wonder, of course. It's the kind of absurdity that exists in the stupendous Doctor Who, which makes sense, and exists somewhat in Dead Like Me. I don't find much purpose for the other kind of absurdity. You know the kind, that ragged, empty, cold, fraught, and menacing absurdity that lives in the Batman's Joker and performance art projects by people with bold, asymmetrical hair cuts. Shudder.
It's all right. I've found my way back.
I'll now take joy in reading Chris's hefty and timeworn Ultimate Hitchhiker's Guide, rather than approach it with the dread of potentially being shanked. Which is a good thing, no?
But I'm happy to report I did like it.
A lot, too, once the sperm whale and petunia chapter came up, and then all the more when the old world builder (or award-winning fjord artist) wandered in. And then I felt as if I might come to possibly have a crush on the book after Zaphod gave his monologue about how he thinks.
The absurdity in the story and its world was of the specific kind I care about -- an absurdity that manages to parallel this world's absurdity but tinged with mystery, whimsy, and wonder, of course. It's the kind of absurdity that exists in the stupendous Doctor Who, which makes sense, and exists somewhat in Dead Like Me. I don't find much purpose for the other kind of absurdity. You know the kind, that ragged, empty, cold, fraught, and menacing absurdity that lives in the Batman's Joker and performance art projects by people with bold, asymmetrical hair cuts. Shudder.
It's all right. I've found my way back.
I'll now take joy in reading Chris's hefty and timeworn Ultimate Hitchhiker's Guide, rather than approach it with the dread of potentially being shanked. Which is a good thing, no?