Urban Avant-Gardes: Art, Architecture and Change

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Urban Avant-Gardes presents original research on a range of recent contemporary practices in and between art and architecture giving perspectives from a wide range of disciplines in the arts, humanities and social sciences that are seldom juxtaposed, it questions many assumptions and accepted positions. This book looks back to past avant-gardes from the nineteenth and twentieth centuries examining the theoretical and critical terrain around avant-garde cultural interventions, and profiles a range of contemporary cases of radical cultural practices. The author brings together material from a wide range of disciplines to argue for cultural intervention as a means to radical change, while recognizing that most such efforts in the past have not delivered the dreams of their perpetrators. Distinctive in that it places works of the imagination in the political and cultural context of environmentalism, this book asks how cultural work might contribute to radical social change. It is equally concerned with theory and practice - part one providing a theoretical framework and part two illustrating such frameworks with examples.
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288 pages, Paperback

First published January 1,2004

About the author

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Malcolm Miles is a writer and researcher on critical theory, art and urbanism. His writing spans the arts, humanities and social sciences, with a focus on the Frankfurt School as well as modern and contemporary art and architecture. His book on Herbert Marcuse (2011) investigates Marcuse's aesthetic theory and links Marcuse's critiques of specific areas of literature to more recent visual art practices. His book on eco-aesthetics (2014) reconsiders aesthetics as a branch of philosophy, setting this beside green political and social perspectives since the 1960s and a diverse range of contemporary art. Cities and Literature (2019) thematically examines key social theories, e.g. from Georg Simmel, and cultural theories, e.g. from Raymond Williams, in context of selected areas of modern and contemporary English literature, with reference additionally to elements of French, German, Russian, Portuguese, and African post-colonial literatures (read in English). It is in the Routledge series Critical Introductions to Urbanism, designed for 2nd and 3rd -year undergraduates in the social sciences and humanities, which he co-edits with John Rennie Short (Geography, University of Maryland). To date he has authored nine books and contributed to refereed journals including the Journal of Cultural Politics, Third Text, Architecture and Culture, The Journal of Architecture, Space and Culture, and Parallax.


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