The Uses of Decoration essays in the architectural everyday The book draws together material from several countries and areas of practice - from the affluent as well as the non-affluent worlds, and from art as well as architecture - which it links by a common framework of critical reflection and theory. Some of the cases considered, such as hajj painting in Egypt, have received little attention, while others, such as the mud-brick architecture of Hassan Fathy, are better known although still subject to little critical debate. Others still, such as the Nine Mile Run Greenway project in Pittsburgh, are set in post-industrial cities, the conditions and dynamics of which require new emphases and directions in critical discussion. Running through the book is a concern for the everyday, for the seemingly small and insignificant ways in which people occupy the built environment, which constitute what Henri Lefebvre calls representational spaces; from awareness of this dimension of urban space (and the failures consequent on ignorance of it in some kinds of modern architecture and planning), the book moves to the question of sustainability. As is demonstrated through their efforts to construct informal settlements, people possess an ability to organise their lives through the production of space; therefore, the book argues, the expertise of dwellers on dwelling is of as much importance in shaping the futures of cities as that of designers on design.
Malcolm Miles is a writer and researcher on critical theory, art and urbanism. His writing spans the arts, humanities and social sciences, with a focus on the Frankfurt School as well as modern and contemporary art and architecture. His book on Herbert Marcuse (2011) investigates Marcuse's aesthetic theory and links Marcuse's critiques of specific areas of literature to more recent visual art practices. His book on eco-aesthetics (2014) reconsiders aesthetics as a branch of philosophy, setting this beside green political and social perspectives since the 1960s and a diverse range of contemporary art. Cities and Literature (2019) thematically examines key social theories, e.g. from Georg Simmel, and cultural theories, e.g. from Raymond Williams, in context of selected areas of modern and contemporary English literature, with reference additionally to elements of French, German, Russian, Portuguese, and African post-colonial literatures (read in English). It is in the Routledge series Critical Introductions to Urbanism, designed for 2nd and 3rd -year undergraduates in the social sciences and humanities, which he co-edits with John Rennie Short (Geography, University of Maryland). To date he has authored nine books and contributed to refereed journals including the Journal of Cultural Politics, Third Text, Architecture and Culture, The Journal of Architecture, Space and Culture, and Parallax.