“I think,\\" Tehanu said in her soft, strange voice, \\"that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.”
Yerdeniz Öyküleri is the fifth book of the Yerdeniz Evreni, which contains 5 short stories. Although it may seem unrelated to the series, the stories within are related to the Evren. I didn't like all the stories, but it was still a nice book. I will briefly talk about each story and try to explain why I liked or didn't like them.
1 - Bulucu
The first story revolves around a character named Susamuru. Thanks to Susamuru, we see the founding of the magic school on the island of Roke. The story takes place approximately 300 years before the story of Ged the Finder and we learn many things about magic, including Roke traditions. At that time, magic was seen as a feared and dark thing. The story develops a bit slowly, but it was still enjoyable to learn about Roke.
2 - Karagül ile Pırlanta
The second story tells about a young wizard who gives up magic for love and turns to music. I found this romantic-themed story a bit empty and unrelated. It was one of the stories I didn't like.
3 - Yerin Kemikleri
The third story takes place on the island of Gont, where Ged was born. The story is about the old and stubborn wizard Deniz Yosunu and his apprentice Ogion. As we know, Ogion is the first teacher who discovers and educates Ged. This story was perhaps my favorite. The character of Deniz Yosunu is great and it was very nice to read about Ogion's youth. This story was nominated for the Hugo Award.
4 - Bataklık Yayla
The fourth story is a story where Ged is a bit more in the background. The story is more related to Irioth. Irioth is a very powerful wizard and is known more as a summoner. He is a man who misuses his powers and took lessons from Ged in his time. In this story, he lives as a healer in a rural area. The conversations between Ged and Irioth were quite good.
5 - Ejderböceği
The fifth and final story takes place immediately after the fourth book, Tehanu. The story shows the search for a girl named Ejderböceği for her "gift". Many topics are covered, including Ejderböceği's adventures in Roke. Like Tehanu, this story also shows Ursula's feminist pen quite clearly. Although there were some small parts that I liked, it was another story that I didn't really like overall.
Rewriting this article, we can expand it as follows:
After reading the fourth book of the saga, reading these stories was refreshing. However, I now find it almost deceiving that Earthsea is referred to as a unified, coherent, and orderly work because in reality, it is quite the opposite. Not only were almost none of the novels pre-planned, but there is also a sense that Le Guin returned to the world of Earthsea without overly concerning herself with plot or coherence, focusing instead on the messages and the poetry. Despite this, this collection tells very interesting stories. Le Guin's narration is always rhythmic, dreamy, and sometimes very emotional.
The first story is about one of the founders of the magical school of Roke. Besides being a well-told and structured story, it is in part a critique of human greed and arrogance. For the first time, I read in her stories more depressing, cynical, and "human" elements such as slavery, the fear of the other, substance abuse, and revenge.
The second story I loved because it simply talks about Doubt, that "what will I do when I grow up?" Will I follow my talent, my heritage, or my passions? The answer is almost obvious, but the story is very tender and cute.
The third is the story that communicated the least to me. It deals, in a similar way to other of her writings, with the role of women, often undervalued or misunderstood.
In the fourth, Ged reappears in a short story that struck me because it was initially very mysterious and particular. Here, more than in other stories, Le Guin evokes bucolic feelings and settings, with dark connotations and a final message oriented towards forgiveness and change.
The fifth takes up the theme of femininity in magic and is the most important because it introduces the next book and the events that are the prelude to the last book written in the world of Earthsea.
Overall, it is another book that I adored (and devoured).
It is always very difficult for me to give 5 stars to a short story anthology. Here we have two stories that truly deserve it; where the origin of the School of Magic is narrated to us and the story that serves as a connection between Tehanu and En el otro viento. These two stories are the best example of what Earthsea is: good characters, good narration, plot with background, intelligent dialogues...
But we also have three other stories, brilliantly written by Le Guin, but that narrate three different moments in the history of Earthsea whose characters have not caught my attention.
Finally, it includes a treatise on the languages, peoples and stories that exist in Earthsea. If you are a fan and are interested in knowing every last detail, it is a great read, but I wasn't in the mood to know the etymological origin of invented words.
In conclusion, you can read this collection as a connection between the fourth and fifth book of the saga, but it doesn't matter if you have read the entire saga and want to complete the experience with these stories of Earthsea.