Dramma a stazioni is truly an excellently constructed work that retraces the life of Barabba, the first man saved by Jesus after His death.
The Gospels tell us very little and nothing about Barabba, and Lagerkvist has the opportunity to reinvent the character and, above all, to address the themes that are closest to his heart. What I most appreciated about this work is its "human" character. There are no miracles to believe blindly or absolute truths. Everything is put into question, everything is a search. Although Barabba continuously and violently encounters the proofs of the divinity of Christ or the faith of His followers, although he himself desires to believe, he is unable to do so because all of this goes against reason, and even against the very instinct of survival. Barabba grows during the various scenes of the tragedy, and when he finally thinks he has understood the deepest meaning of Christian faith, he actually makes the greatest mistake, misinterprets once again the teaching of Jesus, fails to conceive His message of love, and this will lead to the culmination of his story, which, however, is not represented but only implied.
The entire work is full of symbolic and metaphorical references and treats the religious matter in a wise, respectful, and yet critical way. I really liked it very much, and I hope to be able to recover the novel from which this drama is taken, as well as other works of Lagerkvist, whose style and reflections I have greatly appreciated.