The gossipy history of Venice in the late 20th century is a tale that both intrigues and disappoints.

Specifically, it focuses on the tragic destruction of La Fenice in a great fire. The blaze was a devastating event that left the iconic opera house in ruins.

However, the story doesn't end there. It then goes on to describe the subsequent reconstruction efforts, which were no doubt a Herculean task.

While the account is somewhat entertaining, it ultimately feels rather pointless. It seems to lack a deeper meaning or message.

As I was reading, a thought occurred to me. In 10 years or so, a similar book may well be written about Paris and Notre Dame Cathedral. The recent fire that damaged the cathedral was a similar tragedy, and it will no doubt be the subject of much discussion and speculation in the years to come.

Will the reconstruction efforts be successful? Only time will tell. But one thing is for sure, the story of Notre Dame Cathedral's destruction and rebuilding will be just as captivating as the story of La Fenice.

I truly relished this peculiarly structured yet captivating exploration of certain aspects of Venice's more menacing history.

Venice, a city renowned for its beauty and romance, also harbors a darker side that is often overlooked. This exploration delved into the shadows, uncovering tales of mystery, intrigue, and perhaps even a touch of the macabre.

The odd structure of the exploration added an element of mystery and excitement, keeping me on the edge of my seat as I delved deeper into the history. It was as if I was following a winding path through the city's past, never quite sure what I would discover around the next corner.

The simmering nature of the exploration added to the overall atmosphere. There was a sense of hidden emotions and suppressed secrets lurking just beneath the surface, waiting to be uncovered.

Overall, this exploration of Venice's more sinister history was a fascinating and engaging experience that left me with a newfound appreciation for the city's complex and multifaceted past.

I embarked on this book several months ago. From the very beginning, I was completely enamored with it. I continued to devour its pages, and my love for it only grew stronger. However, at some point, I set it aside for a few months before ultimately finishing it.

The issue with this book is that while it does paint a vivid and detailed picture of Venice, it fails to grip the reader in the same way as Berendt's previous masterpiece, Midnight in the Garden of Good and Evil. There's just something about a burnt-down opera house that doesn't generate the same level of tension and excitement as a good old-fashioned homicide.

As travel writing, City of Falling Angels is truly superb. It offers a captivating glimpse into the unique charm and allure of Venice. And, without being facetious or condescending, it makes for a lovely read at bedtime. There are no murders, ethical dilemmas, or other disturbing issues that might keep you awake at night. Instead, it is filled with interesting and colorful characters, exotic and beautiful places, and fantasy lives that seem almost within reach. It's truly perfect. This book is not a shot of vodka or even a can of diet coke. Rather, it's like a very nice cup of tea or a warm glass of milk, soothing and comforting.

What’s good, Reads Fam?? Your boy Ian “The Bean” Green is back. And guess what - he finished a damn book.

I will further outline my rating system in the bio. I won’t keep begrudging this app but it is FUCK*NG B*LLSHIT that there is not a half star option. But on to the review!

In the enchanting city of Venice, a historical fiction unfolds.

The opera house, a symbol of elegance and culture, has endured the test of time. However, it has faced a series of disasters as it has burned down several times.

The first fire was a tragic event that shocked the entire city. The flames devoured the beautiful building, leaving only ashes and memories.

But the people of Venice were not ones to give up easily. They rebuilt the opera house with even more splendor and grandeur.

Yet, fate seemed to have a cruel sense of humor. Years later, another fire broke out, once again threatening to destroy this beloved institution.

Despite the setbacks, the opera house continued to rise from the ashes, a testament to the resilience and passion of the Venetian people.

Each time it burned down, it was rebuilt with new innovations and designs, making it an ever-evolving masterpiece.

This historical fiction about the opera house in Venice serves as a reminder of the city's rich history and the power of art to withstand the harshest of circumstances.

I don't usually have a great penchant for reading much nonfiction. However, this particular piece really caught my attention and I thoroughly liked it!

The concept that was presented in it was truly interesting. It had a unique charm that kept me engaged from start to finish. What I really appreciated was the way the focus shifted around, delving into different people and their captivating stories related to Venice.

Each new perspective added a new layer of depth and richness to the overall narrative. It was like taking a journey through the diverse lives and experiences of the people who have been part of the fabric of this beautiful city.

I am truly grateful to Teresa for sending this wonderful piece to us. It has opened my eyes to the possibilities and joys that nonfiction can offer.

Unfinished.

I am still in the midst of this journey, with so much left to explore and discover.

But I know that before I return to the enchanting city of Venice, I will make every effort to try again.

There are still goals I have set for myself that remain unachieved.

Maybe it's learning a new skill, or completing a project that has been on my to-do list for far too long.

Whatever it is, I am determined to give it my all and not let anything stand in my way.

Venice awaits me, with its canals, gondolas, and beautiful architecture.

But I will not rush back until I have accomplished what I set out to do.

I will take the time to reflect, to grow, and to become the best version of myself.

And when I finally do return to Venice, it will be with a sense of fulfillment and a heart full of memories.

I truly enjoyed this remarkable book. It was like a magical key that opened my eyes to a whole new world of art, poetry, and people.

Before reading this book, I knew very little about Venice. However, now, I find myself filled with an insatiable curiosity about this enchanting city.

This book has not only introduced me to the beauty and charm of Venice but has also opened a new door that leads to a plethora of more questions, a deeper exploration of art, and a rich understanding of history.

It has ignited a passion within me to learn more, to discover the hidden gems of Venice, and to immerse myself in its unique culture.

I am grateful to have come across this book, as it has broadened my horizons and left me with a sense of wonder and excitement for all that lies ahead.

This wasn't the historical exploration into the enchanting city of Venice that I had initially hoped for. However, it was still a worthy nonfiction read.

Almost all the stories took place in the latter half of the 20th century. The author delves deep into the culture of Venice, shining a spotlight on numerous prominent Venetians and ex-pats who resided in the city. As he engages with these individuals, there are vivid historical descriptions, as the families and their palazzos have a history dating back centuries.

The recurring theme that weaves in and out of many of the diverse stories is the tragic fire that ravaged the Gran Teatro La Fenice, Venice's renowned opera house. The author commences with this event in January 1996 and its profound impact on the city and its inhabitants.

I found the majority of this book to be captivating and highly readable, drawing me in and keeping my interest throughout.

The book has more than 3.5 out of 4 stars. The writing is pleasant and smooth, and the text is able to evoke at least in part the Venetian atmosphere. Some of the anecdotes and places mentioned are very interesting, such as the story of Palazzo Barbaro or the affair of the Ezra Pound Foundation. I have seen with new eyes some places in the most wonderful city where I have lived and that I love.

In my opinion, the text dwells a bit too much on disputes that I consider marginal in the context of the book (the dissing and the gossip of the Save Venice foundation 25 years ago is of no interest to anyone). Although it is coherent with the main fact around which the novel revolves, namely the fire at the Teatro La Fenice in 1996, the subsequent legal affair that is described in minute detail only lengthens the story.

All in all, it is a pleasant read, but unlike some books that I like to reread every so often, I think this one will be left aside for a long time before being reopened.

Venice is a city full of magic and charm, and the people who inhabit this unique place add to its allure. The portraits of the Venetians are truly fascinating. They capture the essence of a people who have lived in harmony with the water for centuries. The faces in these portraits tell stories of a rich history and a vibrant present. Some of the people are dressed in traditional Venetian costumes, with their elaborate masks and colorful attire. Others are more modern, but still carry the spirit of Venice with them. The expressions on their faces range from joy and happiness to sadness and melancholy. Each portrait is a window into the soul of a Venetian, and together they form a beautiful tapestry of life in this magical city.

What can a writer possibly say about Venice that has not been said already by some of the most gifted writers the world has ever seen?

New York journalist Berendt, author of the bestseller and Oscar-nominated movie In The Garden of Good and Evil (never read it, nor seen the film), indulges himself with an extended stay in Venice outside of the tourist season. He writes a fascinating book, not so much about the place as about some of its more colourful and celebrated citizens.

The most unfortunate incident in Venice's recent past, the fire that destroyed the majestic Fenice Opera House, proves to be a fortuitous incident for Berendt. Occurring just before he arrives, the fire and subsequent investigation form a handy framing device for the book. Many of his featured Venetians are either involved or witness to the catastrophe, and all are affected one way or another.

The fire presents a natural pretext for Berendt, as a respected journalist, to gain access to many of the people and the magnificent palazzos they inhabit.

Chief amongst the roll call of eccentric and storied Venetians are the glassblowing Seguso family - in its 23rd generation - spearheaded by the great Alcemo Seguso. Berendt sees him working on pieces to commemorate the burning of the Fenice Opera House, which he had witnessed through the windows of his adjacent apartment. One of his sons had asked to be bought out of his share of the family business, then used the money to set up a rival firm using the same techniques and designs, even trademarking his father's name without his knowledge, then filing a writ to have his father declared senile so he could assume ownership of the old business! It seems extraordinary, but apparently is typical of a tradition of internecine feuding amongst ancient Venetian families!

Also enjoyable is an extended look at a pre-eminent American ex-pat family in Venice, the Curtis's. They are patrons of the arts and hosts to many famous artists (novelists Henry James and Edith Wharton, painters Sargent and Whistler etc) at the celebrated Palazzo Barbaro. During Berendt's time in Venice, the film adaptation of James' novel The Wings of a Dove was shot there, and the family is forced to sell the piano nobile (principal floor) of the Barbaro as they can't afford the upkeep.

My favourite character though was the mischievous Signor Donadan, inventor of one of the world's most innovative and best selling rat poisons. He sees his work as a service to mankind. Using the fact that "rats eat what people eat", his poisons include elements of local food stuffs (pork fat for German rats, curry for Indian, popcorn for American!) and sells worldwide. Yet his product is not used in Vienna itself, despite the unique proliferation of rats due to the canals, as the city doesn't pay enough: "'I'm prepared to make my contribution to humanity, but' - Donadon winked - 'humanity must be willing to make a contribution to me.'" Berendt keeps his own presence to an absolute minimum, allowing the citizens to speak for themselves, which is a fine approach because they are more than happy to do that, with wonderfully entertaining results.