I usually avoid detective stories. This excellent book was almost a miss for me too. I read a few pages and was about to abandon it. I have a habit of quickly putting away books that don't immediately grip me. However, this often means that I will come back to the books I admire later, in case I run out of new ones I like. After all, I know there are around 70-80 books that I not only love but also forget much of their plot and events over time. So, what's the point of holding onto works that seem hard to digest?Well, A Kiss Before Dying provides an answer. There were two choices: one, after reading two pages and seeing the cover, which indicated it was a crime story, I could have put it away. The second option was to give it a try and stick with it for a while. It paid off handsomely. Not only was I trapped and enticed by this thrilling book, but I loved it so much that I savored it in small portions, like caviar.Now, the problem is how to tell you about it. Since I can't mention anything about the plot, I'll start from the beginning. From the start, we get "action" - violence is present right from the outset. This is actually my main issue with crime stories. Why waste time reading about a violent, devious, and unworthy guy (the killer is rarely a woman, if I'm not mistaken)? Perhaps for the same reason we read about Mephisto, Machiavelli, Wormwood... These people or demons exist, and sometimes they make for pretty interesting characters. It's often more exciting to learn about complex, smart, yet devilish characters than one-sided and often boring ones.The author, Ira Levin, is the smartest guy in the room. It takes courage to create such complex stories with surprising, if not shocking, events. Levin's perspective is flawless. At one point, there is a new apparition that I thought would stay with us for a while, if not until the end. Unlike blockbuster movies where you can tell from the start that a certain star is going to survive everything because they get paid $20 million per movie, in this book, there are no guarantees. There is a slim chance that a character who seems important might disappear after ten minutes. There is a sense of "too much" in A Kiss Before Dying, but I can't say from what angle since I'm sworn not to give anything away. However, even this aspect is amazingly handled by Levin, who is a master of dealing with suspense and making you believe things are really happening the way you read about them. The psychological insight of this great author is nothing short of marvelous. The creepy thing is that you start wondering: Is this guy for real, or what? It seems like Levin has all it takes to kill someone. But what if he did? He's so good at planning everything that he would probably get away with it. Kevorkian, the Literature professor I had in high school, used to say that every masterpiece has an excellent crime story in it. I'm thinking of Crime and Punishment, War and Peace... But what's the crime story in Madame Bovary? Perhaps her infidelity? This is an excellent book.