Bad poetry, but intriguingly bad poetry.

It's that kind of poetry that makes you scratch your head and wonder how someone could come up with such strange and yet somewhat captivating lines.

The words may not flow smoothly, the rhymes might be forced, and the imagery could be a bit off-kilter.

But there's something about it that keeps you reading, almost like a train wreck you can't look away from.

Maybe it's the boldness of the attempt, or the fact that it's so different from what we expect.

Intriguingly bad poetry has a charm of its own, one that challenges our notions of what good poetry should be and makes us question the boundaries of creativity.

It may not win any awards, but it sure does make an impression.

I endeavored to know you.

I sought spiritual wisdom, hoping that you could open the mysterious walls of the stripping show.

Guitarist,

the former wise satyr,

“I squeezed his thigh

and death smiled.”

This passage seems to convey a sense of mystery and perhaps a hint of the unknown. The act of trying to know someone through spiritual means implies a deeper exploration. The mention of the guitarist and the wise satyr adds an element of intrigue. The line about squeezing the thigh and death smiling is rather cryptic, leaving the reader to wonder about its true meaning. It could potentially symbolize the power of desire or the consequences of certain actions. Overall, this text invites the reader to engage in a thought-provoking journey of interpretation.

What's more terrifying than the actual contents of these poems is the revelation that your favorite rock star/poet was actually somewhat of a psychopath. Reading Morrison's poetry is an experience that is both deeply personal and bizarre. It's difficult to determine whether Morrison is a genius or forever trapped in his teenage angst. Either way, the writings in this collection offer us a unique insight into Morrison's disturbing and sensual (and sometimes deeply beautiful) fantasies.

Alongside the poetry, Morrison's screenplay The Hitchhiker encompasses all the fundamental elements of Morrison's literary universe: psychopaths, women, deserts, and hitchhikers; all objects of his obsession. Regardless, the most profound poem I encountered in this collection was The End, which has had a lasting impact on me ever since I first listened to it on YouTube and later in Apocalypse Now. There is something deeply archetypal about this poem. From ancient slithering snakes to mandalas to leopards roaming the desert, all these qualities are present in poems such as The End and The American Night. With this in mind, Jungians are sure to have a field day reading Morrison's poetry.

Speaking of Jung, I believe Jim Morrison might be the closest modern equivalent to the ubermensch. In fact, Morrison was a great admirer of Nietzsche during his upbringing. For his high school graduation, he asked his parents for Nietzsche's complete works as a gift, and in film school, he worked on a short film related to the famous incident of Nietzsche and the whipping of the horse. It can be concluded that Morrison was greatly influenced by Nietzsche. This Dionysian element of the ubermensch is evident throughout Morrison's writing and can even be seen as a modern 60's interpretation of Nietzsche's beloved "will to power" or Jung's concept of embracing the "shadow." All of his writings deal with Morrison confronting his shadow (and ultimately, his fantasies involve becoming evil, being consumed by the "shadow") and grappling with sensuality (which he also becomes immersed in). Morrison is the ubermensch, an individual who chose to give in to his animalistic desires without regard for conventional morality. I suppose Morrison's ultimate fate can teach us all a little something about the tragic nature of the "overman."

Jim Morrison appears to have a certain affinity for the realm of nightmares. He fearlessly delves into those dark and mysterious places where most people would struggle to break free and force themselves awake.

Some of his poems are truly incomprehensible to me. However, despite this lack of understanding, they manage to evoke a powerful emotional response through their unique texture and vivid imagery.

There are also other poems that, upon first glance, seem unintelligible. But with a more careful and thoughtful reading, their true power and significance begin to emerge.

Overall, it was a very engaging and thought-provoking read.

"Naked we come
& bruised we go
nude pastry
for the slow soft worms
below" This excerpt further adds to the enigma and allure of Morrison's work.

This book has received a significant number of positive reviews and stars.

I decided to purchase it as I had a penchant for some of the music and adored the movie.

I hypothesized that delving into the life of the person would be fascinating. However, it didn't turn out to be my most cherished item.

It wasn't dull by any means, but perhaps not being an ardent fan influenced my perception of it.

Maybe if I had been more deeply invested in the subject matter, my experience with the book would have been more fulfilling.

Nonetheless, it did offer some insights and was an okay read overall.

It just didn't quite reach the level of excellence that I had anticipated.

Despite this, I'm still glad I gave it a try and added it to my collection.

Who knows, maybe upon a second reading, I'll discover something I missed the first time around.

Today, as we celebrate the anniversary of Jim Morrison's death, it is a time to remember him. His poetry was that of a young soul, full of passion and exploration. I will simply say that it was captivating. Here is a selection of verses that have particularly appealed to me.

"Being drunk is a good disguise. I drink so I can talk to assholes. This includes me." This line shows his self-awareness and perhaps a bit of his rebellious nature.

"THE OPENING OF THE TRUNK —Moment of inner freedom when the mind is opened & the infinite universe revealed & the soul is left to wander dazed & confus'd searching here & there for teachers & friends." It gives a sense of the profoundness and mystery that Morrison often delved into.

"You're too young to be old. You don't need to be told, You want to see things as they are. You know exactly what I do. Everything." It speaks to the connection he felt with his audience, as if they were on the same wavelength.

"IF IT'S NO PROBLEM... If it's no problem, why mention it? Everything spoken means that it's opposite, & everything else. I'm alive, I'm dying." This shows his ability to play with words and concepts, making the reader think.

"In conclusion, darling, let me repeat: your home is still here, inviolate & certain and I open the wide smile of my remembrance. This to you on the anniversary of our first night. I know you love me to talk this way. I hope no one sees this message written in the calm lonely far out languid summer afternoon W/my total love." This final passage is a beautiful and tender expression of love and remembrance.

LFLF (little free library find):

This book was an absolute nightmare to read. It was so insufferable that I almost gave up several times. However, I managed to push through because it was a relatively quick read.

Despite my personal dislike for the book, I understand that it may be incredibly important to many people. Everyone has different tastes and interests when it comes to literature, and what one person loves, another may hate.

In the end, I can only rate this book 2 stars. It simply didn't resonate with me on any level. But I'm sure there are others out there who will find it to be a life-changing read. That's the beauty of literature - it's so diverse and subjective.

I read it on the very same day as his birthday without even knowing it

The Hitchhiker short script is truly worth reading on its own.

It offers a unique and engaging experience that keeps the reader hooked from start to finish.

Moreover, seeing song lyrics presented in their expanded poetical form is simply cool.

It adds a new dimension to the lyrics and allows the reader to appreciate them in a whole new way.

The imagery throughout the book is also incredible.

It vividly brings the story and the emotions to life, making it easy for the reader to picture the scenes in their mind.

Overall, this book is a must-read for anyone who enjoys short scripts, poetry, or beautiful imagery.

It is a work of art that will leave a lasting impression on the reader.

A far superior singer than Shelley is someone who possesses a rare combination of qualities. Their voice is like a golden thread that weaves through the fabric of music, captivating the listener's heart and soul. They have a remarkable range, able to effortlessly hit the highest notes with clarity and power, while also descending to the lowest registers with a rich and resonant tone. Their control over dynamics is exquisite, adding depth and nuance to every song.

Moreover, this singer has an innate sense of musicality. They understand how to phrase a song, how to bring out the emotions hidden within the lyrics, and how to create a connection with the audience. Their stage presence is electrifying, commanding the attention of everyone in the room and leaving them spellbound. Whether performing a slow ballad or an upbeat anthem, they have the ability to transport the listener to another world, making them forget everything else and simply沉浸 in the beauty of the music.

In conclusion, a far superior singer than Shelley is a true artist, someone who has dedicated their life to the pursuit of musical excellence. Their talent, passion, and hard work have made them a force to be reckoned with in the music industry, and their performances are a source of inspiration and joy for all who have the privilege of hearing them.

"Celebration of the Lizard" is truly a four-star piece on its own. It was a planned celebration that was written and continuously added to from 1965 until Morrison's death, unfortunately left unfinished.

Feast Green Beast, taken from notebook collections, is a bizarre and highly metaphorical work, deserving a 5-star rating.

Other works found in this collection include "The Soft Parade", "Curses & Invocations", "& The Cool Fluttering", and "Planes Are Groaning Mothers".

Overall, for the whole collection, I would rate it 3.5. Some parts are either strongly metaphorical, while the rest unfortunately went to the grave with Morrison.

"Meet me At the crossroads (....)"

"When all else fails We can whip the horse's eyes & make them sleep & cry"

This collection offers a unique glimpse into Morrison's creative mind, with its blend of the strange, the metaphorical, and the unfinished. It leaves the reader both intrigued and longing for more of his unfulfilled artistic vision.

A book that you don't let people borrow is like a precious treasure that you hold dear. You know that once you lend it out, there is a high chance that you will never get it back. This could be because the borrower might forget to return it, or they might damage it accidentally.

You might have spent a lot of time and money on that book, and you don't want to take any risks. It could be a rare edition, a signed copy, or just a book that means a lot to you. Whatever the reason, you are determined to keep it safe and sound.

Some people might think that you are being stingy or unfriendly by not lending out your book. But you know that it's better to be safe than sorry. You would rather keep the book for yourself and enjoy it whenever you want, than to lend it out and never see it again.