However, for my interest, it is the other two stories that are the most captivating. "The End of the Tether" and "Youth: A Narrative" both lean more towards the melancholy and elegiac tones that Conrad would frequently employ. Not the total darkness that enshrouds Marlow, Kurtz, and the reader in "Heart of Darkness." The two earlier stories seem more in line with what I consider to be Conrad's greatest work, Lord Jim, and anticipate much of what will come in other stories and novels.
"Youth" and "End of the Tether" complement each other perfectly. "Youth" depicts a young seaman obtaining his first position of authority as the second mate on a vessel carrying coal from London to Bangkok. The young sailor's joy at experiencing adventure and challenges is contrasted with that of the 60-year-old captain aboard. The old man has just received his first command, but it turns into a disaster for him and an enlightenment for the young Marlow, who is both the protagonist and narrator of this tale. It opens him to the exotic East, even as it leaves the old man, Captain Beard, broken and devastated.
The opposite is the case in "End of the Tether," where the focus is on the aged Captain Whalley, attempting to make just one last voyage as the captain of his vessel. Already isolated and penniless, the victim of misfortune and corruption, Whalley also harbors a fatal secret that leads to his downfall. All of the optimism and thirst for experience that drive Marlow throughout the pages of "Youth" are absent in "End of the Tether," replaced by the lost remnants of the past. Exhaustion pervades the atmosphere. Exhaustion with life. Even exhaustion with the sea. Only one motivation remains: duty.