Conversations with Saul Bellow

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For over forty years, Saul Bellow has been writing fiction that denounces the destructive forces that have dominated the literature of this century―existential nihilism and historicist pessimism. In novel after novel― The Adventures of Augie March , Herzog , Humbolt's Gift , Mr. Sammler's Planet , and others―he has tried to restore the integrity of the private life, the value of human feeling, and the primacy of social contract, while proclaiming each individual's perennial access to age-old truths.

In this collection of interviews spanning the period from 1953 to 1991, Bellow elaborates further upon his fictional treatment of these ideas. Here the reader finds the wit and urbane commentary that typify this marvelous writer. He speaks with his interviewers of the changing role of fiction, the literary establishment, and the place of literature in modern life. Since no definitive biography of Bellow has yet been written, these interviews provide valuable insights into the writer that many argue to be the pre-eminent American novelist of the post-World War II era.
    Genres

328 pages, Paperback

First published December 1,1994

About the author

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Saul Bellow was born in Lachine, Quebec, a suburb of Montreal, in 1915, and was raised in Chicago. He attended the University of Chicago, received his Bachelor's degree from Northwestern University in 1937, with honors in sociology and anthropology, did graduate work at the University of Wisconsin, and served in the Merchant Marines during World War II.

Mr. Bellow's first novel, Dangling Man, was published in 1944, and his second, The Victim, in 1947. In 1948 he was awarded a Guggenheim Fellowship and spent two years in Paris and traveling in Europe, where he began The Adventures of Augie March,, which won the National Book Award for fiction in 1954. Later books include Seize The Day (1956), Henderson The Rain King (1959), Herzog (1964), Mosby's Memoirs and Other Stories (1968), and Mr. Sammler's Planet (1970). Humboldt's Gift (1975), was awarded the Pulitzer Prize. Both Herzog and Mr. Sammler's Planet were awarded the National Book Award for fiction. Mr. Bellow's first non-fiction work, To Jerusalem and Back: A Personal Account, published on October 25,1976, is his personal and literary record of his sojourn in Israel during several months in 1975.

In 1965 Mr. Bellow was awarded the International Literary Prize for Herzog, becoming the first American to receive the prize. In January 1968 the Republic of France awarded him the Croix de Chevalier des Arts et Lettres, the highest literary distinction awarded by that nation to non-citizens, and in March 1968 he received the B'nai B'rith Jewish Heritage Award for "excellence in Jewish literature". In November 1976 he was awarded the America's Democratic Legacy Award of the Anti-Defamation League of B'nai B'rith, the first time this award was made to a literary personage.

A playwright as well as a novelist, Mr. Bellow was the author of The Last Analysis and of three short plays, collectively entitled Under the Weather, which were produced on Broadway in 1966. He contributed fiction to Partisan Review, Playboy, Harper's Bazaar, The New Yorker, Esquire, and to literary quarterlies. His criticism appeared in The New York Times Book Review, Horizon, Encounter, The New Republic, The New Leader, and elsewhere. During the 1967 Arab-lsraeli conflict, he served as a war correspondent for Newsday. He taught at Bard College, Princeton University, and the University of Minnesota, and was a member of the Committee on Social Thought at the University of Chicago.


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July 15,2025
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Saul Bellow was truly a remarkable figure.

When he spoke extemporaneously, he was just as captivating as in his meticulously written, edited, and published works. His speaking style mirrored his writing, and what one read was essentially his voice.

His last wife, Janis, alluded to this in the more recent "Letters" when she described their first meeting at the University of Chicago. It wasn't just about speaking in complete sentences, which is a challenge for most busy professionals.

He was a bit cranky and seemed somewhat conservative regarding the changes of the 60s and 70s. However, considering the people he chose as acquaintances in his later life, like Kingsley Amis, it's evident that he was open to a thoughtful discussion about what needed to change. Saul avoided the simplistic narratives of the time, setting him apart from the prevailing retrospectives of that era.

But that's precisely what made him such an interesting human being and writer. His unique perspective and ability to think independently added depth and complexity to his works and made him a truly unforgettable literary figure.
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