A-. What a miserable love novel indeed!
Love, as those who have experienced it know all too well, has the power to consume one's entire being. It makes you forget about work, neglect household chores like washing the dishes, and even fail to call your dear grandma back. All for the sake of love. And this very fact is, in itself, a rather terrible thing.
Isabel and Tristao (a clever play on Tristan and Isolde) find themselves falling deeply in love. However, their love is, of course, doomed from the start. Isabel is wealthy and white, while Tristao is poor and black in the unforgiving society of Brazil. What options do they have? They choose to ignore everything, even moving past the tragic death of their children when it comes to their love. At times, their love seems selfish and terrible.
It is a beautiful book, filled with passion and heartache. But at the same time, it is also a tragic tale that leaves the reader with a sense of profound sadness.
So... Updike, he really writes about sex a lot. This was my initial encounter with Updike. Subsequently, I delved into a selection of his poetry and one short story. I have plans to explore a few other of his novels, perhaps "Couples". However, "Brazil" was my first experience with his work, and it truly stood out to me.
Updike is an exceptionally brilliant writer. His prose is not only luminous and rich but also has a touch of purple at times, which is by no means a negative trait. It is almost astonishing how masterfully he can write about the most ordinary and mundane things. In the hands of another writer, these descriptions might have come across as a tiresome lecture rather than the beautiful poetry that Updike creates.
His writing has the power to lift you up and carry you along within its vivid descriptions. In "Brazil", which is not regarded as anywhere near his greatest work (for that, one should look to his "Rabbit Angstrom" novels), the descriptions are so clean and engaging that even when seemingly nothing was happening, I was still completely hooked, simply captivated by the deft and skillful way he painted the scenes.
Now, onto the novel itself... Well, the story is a rather standard romp. It is a tale of forbidden love between a rich white girl and a black peasant from the streets of Brazil. It's nothing we haven't seen before, but I suppose that's excusable since Updike states that his inspiration for the story was Tristan and Isolde (is that how you spell it?). A classic Arthurian romance tale, as old as any romance in the world.
So, the plot was fairly standard. What makes it interesting, however, is the setting. The story is set in Brazil from the 1960s to the 1980s. Updike manages to capture the flavor and turmoil of this country nearly fully. The shanty towns, the language of the people, all are vividly present here, creating a fully lived-in experience, as if the author himself had walked among the dirty streets. This is all truly great stuff.
It is once the story ventures into the jungles and thorns that it starts to lose itself a little. First, the characters encounter some magic, which within the context of the novel made no sense and had me second-guessing the story and trying to rationalize what 1800-century Conquistadors were doing in Brazil.
The jungle part of the story pretty much runs the gamut of jungle survival stories. They get assaulted by natives (but for an added pinch of irony, a child is taken from them, which the father didn't really believe was his). Although the story here has been written before, Updike manages to inject new life into it. The characters do not escape to fortune but rather to suffering and misery. The only thing that seems to keep them alive, Updike suggests, is their love. It is a rather beautiful moment.
Of course, here Updike reintroduces sex, which has been a prominent theme throughout the novel up to this point. Once the big magic thing happens, where the girl changes her skin color to black and gives her boyfriend white skin, and he uses this newfound power to free himself from slavery and kill the oppressors of the farm, the story stalls so hard as if someone had hit the brake pedal. I knew they would eventually go on, back to Brazil like this, and was interested to see what would happen. And yet, Updike spends pages narrating some dominatrix fantasy bullshit. I didn't like this part, especially since it had nothing really to do with the story, apart from some kind of abstract notion that Updike injected relating to sex, gender, and skin color. Since once the girl turns black, she becomes more savage(?). I admit the novel lost me here.
The good thing is that it recovers and sums itself up fairly quickly towards the end. So, I enjoyed the first bit and some of the middle, but the second half of the middle was rather lackluster.
So, it's not the greatest work from a great novelist like Updike, but it is certainly a cut above middle-brow adventure/romance stories. It engages with the great tradition of adventure stories but without reinventing it or really adding anything truly new.
Ok, perhaps I simply had an affinity for this book because I was reading it in Brazil. However, I found it to be interesting in a somewhat fairy tale-esque manner. It also provided excellent details regarding the country and its racial history.
Essentially, it is a love story. I believe it is based on the legend of Tristan and Isolde. It讲述了一个黑人男子和一个白人女子相爱的故事,他们不得不一直逃避她愤怒的父亲,穿越巴西的丛林、大都市和海洋。
Their journey takes them through various landscapes, each vividly described, adding to the allure of the story. The contrast between the different settings and the challenges they face along the way make it a captivating read.
Overall, despite my initial thought that it might be due to the context of reading it in Brazil, I truly enjoyed this book for its unique blend of romance, adventure, and cultural exploration.