The so-called "commercial" horror is quite readable, but Macomber left out a lot in the final quarter. Another thing that impressed me, but when I look at other reviews, maybe it's my mistake, the author skims over the paved streets of the genre and doesn't bother to show the scenery beside them to the reader. The fair has a carousel, a tavern, and a show; the town has a skating rink and a blacksmith shop; the United States as a whole is an extremely static country, considering the year in which the action takes place; the pastor is already brutally engaged, but we don't see anything of that. This constricted writing goes a lot more into a short form. Mmm, there was a bit of an overuse of genre tropes, and at times the excesses really derailed the story, it even reminds me of some of Lehman's less successful books, but without their disengaging charge.
Still, the story of the battle between good and evil, the one about growth, awareness, and facing challenges and responsibilities is quite good (although I'm not sure exactly how weak-willed Wayne was made to turn him into an anti-hero).
Sooo...
Two boys from both sides of society, of faith, of life choices.
Billy has part Indian blood and carries its heritage - he can see the restless spirits of the dead and give them peace. This only brings him and his family unpleasantness in the superstitious little town where he lives. On top of that, there is an ancient evil force that has long since drawn a line in the blood of his lineage.
Wayne is the son of a rich and popular preacher who has the power to heal with his faith. This only brings him success.
Or so it is until their two worlds collide and the two will have to make difficult decisions to continue successfully in their endeavors and, most importantly, to act correctly. Are they not ultimately on the same side of the battle?
The stories that the two heroes go through are quite engaging. The normal and paranormal challenges before them turn the pages one after another, and the reader is inclined to overlook the minor inequalities just to find out what will happen.
The translation is typically nineties wooden, and I think that, together with the ones by King and Moore, it entertained the popularity of Macomber among us for about 20 years.
P.S. It still bugs me that for the fifth novel, it's not normal for important plot-turning details to be wiped out among other things, and the relevant ones to come out of nowhere. Just like the description of the appearance of a quite active secondary hero even in the last quarter (even of two). And the frequent change of close and distant third person and point of view to episodic heroes, yeah, like that for about two paragraphs. But maybe I'm just being too critical today, who knows.
Robert McCammon's prose is truly a delight, making this book an enjoyable read from start to finish. The characters he creates are vivid and engaging, each with their own unique personalities and flaws. The detailed descriptions he provides transport you right into the story, allowing you to experience every moment as if you were there.
While I had high hopes for the ending, I have to admit that McCammon did not disappoint. He managed to tie up all the loose ends in a satisfying way, leaving me with a sense of closure. However, I also felt that the ending could have been a bit more climactic or unexpected. Nevertheless, this is a minor flaw in an otherwise excellent book.
Overall, I would highly recommend this book to anyone who enjoys a good story with well-developed characters and beautiful prose. McCammon is a talented writer, and this book is a testament to his skills. I look forward to reading more of his work in the future.