The Wolf’s Hour is, in essence, two distinct stories. In fact, I would even assert that this novel might have originated as two completely separate concepts before being forcibly combined into its final shape. I possess no确凿证据 to back my admittedly rather tenuous claim, yet at some point during this review, I’ll endeavor to explain why I believe this could be the case.
The main plotline showcases our hero, Michael Gallatin (originally born and raised in Russia as Mikhail Gallatinov, and now, after a slight name alteration, a British secret agent), racing across war-torn Nazi-occupied Europe as he endeavors to solve the mystery of ‘Iron Fist’, a super-weapon that imperils the success of the Allies’ D-Day offensive. But Michael has a hidden trump card up his sleeve: not only is he a super-special, super-secret agent, but he’s also a werewolf. I wager you didn’t anticipate that. He embodies the archetype of the ‘alpha male’: rugged and audacious; strong, brave, and astonishingly handsome. The females, both canine and human, are smitten with him. Ahem. He’s essentially a combination of James Bond and Rin Tin Tin.
I truly thought this was going to be a parody. I really, really hoped it would be a parody because I fail to see how anyone could take the above premise seriously. Regrettably, McCammon presents it as straightforwardly as possible, and the plot devolves into a comic book farce with ridiculously exaggerated Nazi villain stereotypes, including (but not limited to) the mad doctor, the cold, calculating colonel (whose arrogance and overconfidence, of course, lead him to disclose the details of his nefarious plan), his brutish, tank-like bodyguard, and a psychopathic big-game hunter/assassin. Additionally, we’re treated to the attractive (and very forward) lady resistance fighter and the beautiful double agent (who also happens to be a famous actress). Even Hitler makes an appearance in a scene that seemed to be lifted directly from a Mel Brooks movie.
Fortunately, we have the promise of some lycanthropy action to alleviate the humdrum monotony of the plot, right? Actually, not really. During the WWII action-adventure segment of the story, Michael only transforms (since he can transform at will, of course - none of that old-fashioned full moon nonsense here) as a means of escaping seemingly ‘inescapable’ situations: the werewolf is really only utilized as a plot device to extricate the protagonist from a tight spot.
However, as mentioned, this is a novel of two stories. The second, and in my view, far superior story, relates the tale of young Mikhail, orphaned during the Russian revolution and ‘adopted’ by a pack of werewolves. We follow Mikhail through the years as he matures into adulthood, living in the Russian wilderness and learning to understand the laws of nature that govern the lives of his new family. These sections, quite frankly, verge on being utterly brilliant - but they don’t blend seamlessly with the rest of the novel.
There is very little overlap between the two stories, and the references that are occasionally made to Michael’s past life feel rather contrived and at odds with the remainder of the prose. It’s a pity because McCammon’s writing is never subpar; he knows how to make the chapters flow, and as such, this was a very easy read. But there were far too many cringe-worthy moments for me to rate this book any higher than passable.
I’ll definitely give McCammon another chance, but fans of Jack Higgins or Ian Fleming are likely to get much more enjoyment out of this particular novel than I did.
I listened to the audio book.
Positives:
1. The narration is truly amazing. I have a great affection for his accents, which add a certain charm and authenticity to the story.
2. The premise of the book is really cool. The idea of a Nazi killing werewolf sounds extremely badass in theory. It immediately grabs the reader's attention and makes them eager to find out what will happen next.
3. Furries will surely love this book. Woof!
Negatives:
1. I have the feeling that this book is very much a reflection of the time it was written and doesn't hold up as well in today's context. The premise eventually devolves into a situation where the main character is basically a James Bondesque super soldier who has affairs with any strong woman he comes across. This kind of portrayal seems rather clichéd and outdated.
2. Every side character in the book seems to lack significance. You might like an interesting side character, but they will quickly meet their demise. In the end, no one but Michael matters or survives. This makes the story feel rather one-sided and less engaging.
3. The sex scenes in the book are pure cringe. Let me give you an example: A middle-aged werewolf lady grooms a young 14-year-old Michael so she can acquire his "seed". :^) This kind of description is not only inappropriate but also makes the reader feel uncomfortable.
4. The take on werewolves in this book seems rather weak. There really are no downsides to being a werewolf in this universe. They are faster, stronger, more intelligent, and more aware. This really contributes to Michael's invulnerability, making the story less challenging and exciting.
I could continue to list more points, but you probably get the idea. My biggest takeaway is that this author has definitely improved over the years. His most recent works are far superior to this one. I would recommend giving this book a shot and seeing what you think for yourself, but for me, this one was definitely a big yikes.
What is the soul of a lycanthrope in the eyes of God? This question lies at the heart of this remarkable work, which is far more than just a werewolf story. We journey with Michael Gallatin, the tormented protagonist. From his tragic and violent childhood, he grows up in a pack of werewolves. Later, he embarks on adventures as a uniquely skilled spy for the Allies in World War 2. This novel is a masterful blend of a coming-of-age tale, a traditional horror story, and a thrilling historical spy thriller. It excels in all three aspects. The spy story is exciting, making us race through the pages. Meanwhile, we feel Michael's pain as he grapples with an existential crisis, trying to find his place in the universe, caught between two worlds and the slippery concepts of good and evil. The historical elements are entirely believable, making us feel the cold of the forests. What makes this novel truly special is that the werewolf element never overshadows the story of Michael Gallatin, the man. His lycanthropy is just one aspect of his tremendously interesting character. And the novel is filled with a cast of interesting characters, both good and evil. From start to finish, it's a fantastic story. Five stars and the highest possible recommendation.