Carver Country: The World of Raymond Carver

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Uses photographs and selections from the poems, short stories, and letters of Raymond Carver to depict his life and his outlook on the world

160 pages, Paperback

First published January 1,1990

About the author

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Bob Adelman has photographed cover stories for magazines including Esquire, Time, People, LIFE, Harper's, the New York Times Magazine, and Paris Match. An award-winning photojournalist, Adelman has exhibited his photographs at the Smithsonian and the American Federation of Art, and has them included in the collection of the Museum of Modern Art. Adelman is well-known for his photographs documenting the civil rights movement; he was in Birmingham, Selma, and DC, often by Martin Luther King's side.

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Rating(4.2 / 5.0, 20 votes)
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20 reviews All reviews
July 15,2025
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The photographer Bob Adelman offers us an unusual portrait of the American writer Raymond Carver.

Each shot is accompanied by a poem or an excerpt from a story. Through the places of his childhood and mature life, the reader manages to weave a truly successful double narrative.

I was emotional observing the photograph of the river that Carver was inspired by for the story "Nobody Said Anything". I imagined it less marshy, gathered by a thick vegetation. Instead, Adelman's photograph has returned to me an unheroic river, less perfect and in this, more akin to the themes of the author.

An interesting reading that allows a journey through the United States that throbs with the truest and less noble humanity. It gives us a unique perspective into the world of Raymond Carver, showing not only his literary works but also the real-life settings that influenced him.

The combination of photography and text creates a rich and engaging experience for the reader, making us feel as if we are right there with Carver, experiencing his life and emotions.

It is a wonderful way to explore the works of a great writer and gain a deeper understanding of his creative process.
July 15,2025
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This little gem

opens the door on the life of writer Ray Carver. It features photos commissioned by him and his longtime companion, Tess Gallagher, with the understanding that Ray didn't have much time left to live. As the poem "Gravy" attempts to explain at the end of this book, each day was one more that Ray was grateful for.

Ray described the ordinary lives of people grappling with alcoholism, interpersonal conflicts, and the circumstances that often accompany a lack of money, without much embellishment. However, a current of joy runs through this book. Ray was a student of John Gardner, one of my favorite authors, and his spare writing style reveals some of Gardner's influence on editing a work. Carver Country contains episodes that illustrate the process he and Tess adhered to, despite demonic cats and the occasional pull of the past on their lives. In these moments, the reader senses the love this couple shared. Having met Tess, it's clear to me what a gentle soul Ray was and what he became despite the turmoil of his early and ongoing family upheavals.

Bob Adelman's photos add a dimension to this book that is not only unobtrusive and not merely explanatory but profound. His pictures don't make this a coffee table book, although it could be. What this book does best, at least for this reviewer, is to open a window on life's brief pageant. It kindles that dull coal inside to write.
July 15,2025
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Coffee table Carver is a book that a friend might casually flip through when you go to fetch more coffee and cigarettes.

Similar to an ambitious children's book, it requires more pictures and fewer words. Adelman's black and white photos possess a Carverian quality, combining bleakness, warmth, and humor. I would have preferred more of his photography and less of Ray's accompanying prose/poetry.

My favorite pictures are those of Jerry Carriveau, the friend who inspired "Cathedral." And my favorite prose excerpt is Ray's letter to a recovering alcoholic who reached out to him for advice. Ray channels all the warmth and generosity that is lacking in his stories into his epistles.

The two images provided add a visual element to the overall experience of the book. They give a glimpse into the world that Carver and Adelman have created, further enhancing the reader's understanding and connection to the material.

Overall, Coffee table Carver is an interesting and engaging book that offers a unique perspective on the work of Raymond Carver.
July 15,2025
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I was browsing in a bookstore when I came across a remarkable collection.

It was a book filled with photographs that vividly portrayed the places where Carver lived, as well as those that figured prominently in his stories and poems. Additionally, it included photographs of Carver and Gallagher, along with their friends and family.

These photographs were artfully woven together with Carver's poems, story fragments, and letters. As Gallagher states in her introduction, this creates a captivating story of his life, his work, and their life together.

Her introduction is not only a beautifully written tribute but also full of engaging stories that capture the essence of the man she knew so well. Moreover, it is replete with profound insights into what Carver endeavored to convey in his work.

Although I didn't purchase the book, I was so impressed by Gallagher's observations that I decided to preserve them here.

She describes the "floodlight intensity" of Carver's writing, which placed honesty of emotion and truth-telling above all else, even to the extent of laying his characters' lives bare and vulnerable in their most shamed and overwhelmed moments.

She also notes that his characters, despite facing overwhelming struggles or ruptures with their surroundings, families, or mates, don't simply give in without first assessing the damage. His stories, she says, are a personal record of individual lives lived without a safety net and without even imagining one.

Furthermore, Gallagher points out that Carver's characters, whether alone, in marriages, or on the periphery of family, have compulsions born out of the desperate need to be included or remembered. Often, they resort to inventing a usefulness for themselves, especially when they find themselves out of work or deprived of the solace of family.

Finally, she remarks that while it's never certain what allows for growth in a character and a shedding of the chaff towards clear vision, Carver sought more than the petty and meager. He strived in both his writing and life not to betray the hardships of his experience. At the same time, he didn't reserve enlightenment for the educated and self-reliant. His characters might be engaged in ignominious actions, but he also allowed them their moments of clear recognition and communion when they came, and he did so in their own vernacular.

This collection truly offers a unique and intimate perspective on the life and work of Raymond Carver.
July 15,2025
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Starkly beautiful.

This description holds a certain allure that immediately captures the imagination. It implies a kind of beauty that is raw, unadorned, and yet possesses a powerful charm.

When we think of something as starkly beautiful, we envision a scene or an object that stands out for its simplicity and clarity. It could be a desolate landscape, with its bare mountains and vast plains, or a minimalist work of art that uses only a few elements to convey a profound message.

The beauty of the stark lies in its ability to strip away the unnecessary and reveal the essence of things. It forces us to look beyond the surface and appreciate the true nature of what lies before us.

In a world filled with complexity and chaos, the concept of stark beauty offers a refreshing escape. It reminds us that sometimes, less is more, and that true beauty can be found in the simplest of things.

Whether it is the beauty of a clear blue sky on a winter's day or the elegance of a single flower blooming in a field, stark beauty has the power to move us and leave a lasting impression.

So, the next time you encounter something that is starkly beautiful, take a moment to stop and appreciate it. Let its simplicity and clarity wash over you and remind you of the beauty that exists in the world around us.

July 15,2025
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Sencillamente excelente.

This work is truly outstanding. It is highly recommended to read it, at least after having read "De qué hablamos cuando hablamos de amor (Principiantes)", "Catedral" and some poetry.

The combination of these works creates a rich and diverse literary experience. Each one offers unique perspectives and emotions that can enhance the understanding and appreciation of the others.

By reading this work, one can further explore the depths of human nature, love, and the beauty of language. It has the power to触动 the heart and stimulate the imagination.

Whether you are a seasoned literature lover or just starting to explore the world of books, this work is sure to leave a lasting impression. So, don't hesitate to pick it up and embark on this literary journey.
July 15,2025
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The best part is the first part, that is, the one with the photographs accompanied by extracts from poems, stories, letters of Raymond Carver. That covers three-quarters of the book and is the best, although perhaps towards the end it gets a bit tiring.

Then comes a long epilogue written by his last wife, who is also a poet and therefore has her own literary pretensions. To be honest, it's not difficult to read but it does have a rather low quality. At times it becomes a vindication of her role in Carver's life. An exposition of how important, crucial, she has been even in the narrative decisions of Carver when resolving his stories etc. The way in which it can even be said that she saved him emotionally and so on. Which may be true. Surely it is. I don't know. I have no idea. But it seems a bit grotesque to read when the one writing it is the directly interested party. She should have let a biographer write it or something. Maybe have a bit more patience. The truth is that in that way it doesn't come across as a good corollary to the book. Since this Tess doesn't even write well.
July 15,2025
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Raymond Carver's works are deeply influenced by the environment he came from. The small town where he grew up was filled with unique sights and sounds.

The old, weathered buildings on the main street, with their peeling paint and creaky doors, seemed to tell the stories of the past. The sound of the wind whistling through the alleys, accompanied by the distant barking of dogs, added a touch of mystery to the place.

The local diner, with its friendly waitresses and the smell of coffee and pancakes, was a gathering place for the townspeople. The conversations and laughter that filled the air were a testament to the sense of community.

These sights and sounds, although just a small appetizer for the main course of his work, provided the foundation and inspiration for Carver's exploration of the human condition. They added authenticity and depth to his stories, making them resonate with readers on a profound level.

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