I have not read much gothic literature (45), so I do not know precisely how it employs gothic structures beyond the obvious ones. These include a castle, sublime isolation, a dangerous heath, bogs, rivers, the sea, violent loves, emotional and irrational elements, religious motivations, a mythic plot, dark legends, a captive woman, a semi-feudal setting, and the idea that everyone has secrets and guilt. Sounds like I could follow it? Well, yes and no. Is she writing a deconstruction or a postmodern take on gothic literature? I do not know. She manages to move in and out of a few characters quite well. Some of them remain mysterious. However, towards the end in particular, all the characters are almost ridiculously self-aware. There is the story of how this captive unicorn came to be imprisoned by no force but herself. And how her cruel, wounded, brutal husband returns at the end of her seven years. I wanted them to clash. I wanted fireworks. Instead, things simply happen, and the spell is broken. It leaves me with a sense of both satisfaction and a bit of disappointment. I am intrigued to see where the author will take this in future works.