THE BELL (1958) is a captivating novel that delves deep into the significance of leading a spiritual life and the power of loving others in achieving this noble aim.
The story is set in Gloucestershire, specifically at Imber Court. Here, an Anglican lay community residing on an estate adjacent to a cloistered Benedictine Anglican abbey is united by their shared desire to live a contemplative life. This small group, mostly composed of men, has come together to live and work for the greater good of the Abbey, seeking to distance themselves from the complex and alienating modern world.
The community is responsible for tending to the estate and the market garden, as well as organizing daily worship activities. They eagerly anticipate two momentous events: the installation of a new bell at the Abbey and the day when one of their members will enter the Abbey and become a cloistered nun.
The narrative revolves around two central characters. Michael Mead, a chaste homosexual who initially aspired to be a priest but ended up as a schoolteacher. Imber Court has been in his family for generations, and it was his vision to establish this lay community of believers. The other important character is Dora Greenfield, a rather silly and selfish young woman leading an aimless life. She is married to an art historian who is studying medieval documents at the Abbey. Her husband is domineering and cold, and she feels no love for him.
Sustaining their utopian project will not be without challenges. Over the course of several weeks in late summer and early autumn, as the new bell is set to be installed with great pomp and ceremony, the community will be torn apart by the spiritual failures of some of its members and visitors. By the end of the novel, both Michael and Dora, in true Murdoch style, will gain self-knowledge and come to terms with their inadequacies. However, this will come at a great cost.
I found this novel more engaging than Murdoch's previous works (this being her fourth). She has abandoned her flamboyant fantasies in favor of a more realistic plot. Nevertheless, the novel still features the striking and unforgettable scenes that Murdoch is renowned for, as well as the "platonic dialogues" that explore the moral dilemmas her characters face. While many readers adore her first novels, if you're new to Murdoch and looking for a starting point, I believe this novel would be an excellent choice.
I declare myself an unconditional admirer of Murdoch.
From the depth of his characters, one can truly feel the richness and complexity that he has imbued them with.
The intense emotions that course through his pages are palpable, drawing the reader in and making them experience a wide range of feelings.
And his finales, oh his finales! They always leave me on the fence between joy and tears.
Sometimes, the endings are so beautiful and heartwarming that they bring a smile to my face and a warmth to my heart.
Other times, they are so tragic and poignant that they make my eyes well up with tears.
But no matter what, Murdoch's writing always has a profound impact on me, leaving me thinking and reflecting long after I have turned the last page.
He is truly a master of his craft, and I will continue to be an admirer of his work for a long time to come.
I feel like I should have enjoyed it more. The story had so many interesting elements such as an abusive relationship storyline, someone contemplating bisexuality, injustice due to homosexuality, a lost bell, suicide, and love affairs. However, it was extremely slow-paced and written in a way that really reminded me of compulsory reads for school. By the end, I was heavily skimming through the pages. It just didn't draw me in at all. Maybe it's on me for choosing to read "modern classics" during lockdown when I've very rarely enjoyed a modern classic. I was hoping for something that would grip me from the start and keep my attention throughout, but unfortunately, this book failed to do so. I guess I'll have to be more careful when choosing my next read.
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