There were numerous moments of delight while reading this collection. However, Faulkner's style demands effort from the reader. His vivid descriptions, condensing a person's or a place's history into a single, extremely long sentence, and his unique usage of changing nouns to adjectives and vice versa - all the elements one anticipates from Faulkner are present here. But there is also the frustrating aspect that makes it impossible to read without constantly guessing who the subject of this long sentence is and where and when we are in the context of time and space.
I have abandoned several of his novels, yet I managed to plod through these stories. Perhaps they are more accessible, or maybe it was because I knew the last story was "The Bear".
The first story, "Spotted Horses", is a great tale about a traveling horse trader who arrives in the area selling small, wild ponies. There are several hilarious scenes where the ponies outwit their potential buyers, each of which serves as a portrayal of Southern backwardness. Always lurking in the background is a Snopes, who may or may not be behind the horse sales and may or may not be profiting from the ignorance of his neighbors.
"Old Man" is a fictionalized account of the 1927 flooding of the Mississippi (referred to as the "Old Man" in the title). For once, Faulkner's torrent of words has a subject that justifies its depth and power - a flood that inundates an entire area, even swallowing smaller rivers until they disappear.
"The Bear" was one of my favorite short stories in an American Lit anthology. A young boy learns woodcraft from an ancient Indian who is part Slave, all in the pursuit of a large bear that is almost mythical. In the end, he becomes very proficient at hunting, only to realize that true humility lies in understanding that to catch the bear, he needed the help of the Indian, a particularly reckless dog, and of course, his gun. In reality, even with all those advantages, he was no match for the bear. It concludes with an older character quoting Keats' "Ode on a Grecian Urn".
Imagine my disappointment when I discovered that "The Bear" is actually much longer and involves many other things, including White Guilt over the effects of slavery. Faulkner apparently worked on this story for a long time, and the longer version was part of "Go Down Moses". But in 1934, he needed money and extracted a shorter version for the Saturday Evening Post, which is probably the source of the story I taught from the anthology.
The shorter version was a better story. Perhaps this proves, at least to this reader, that Faulkner needed better editors.