This is a great reference book that comes in very handy when writing.

It provides a wealth of useful information and knowledge that can enhance the quality and depth of your written work.

However, to be completely honest, what I really like about this book is the illustrations.

They are not only visually appealing but also help to clarify and explain certain concepts in a more intuitive way.

The detailed and colorful illustrations add an extra dimension to the book and make it even more engaging and interesting to read.

Whether you are a professional writer or just someone who enjoys writing as a hobby, this reference book with its wonderful illustrations is definitely worth having on your bookshelf.

It will serve as a valuable resource and inspiration for all your writing endeavors.

An outstanding book for writers, this work truly stands out in the literary landscape. It is not just a regular read but a must-have for authors of all levels. The insights and knowledge it offers are invaluable, providing inspiration and practical guidance. The Kindle edition was particularly good, as it allowed for a seamless reading experience. I thoroughly enjoyed reading it and was able to imbibe many things well. The clear and engaging writing style made it easy to understand and apply the concepts. Whether you are a budding writer looking to improve your skills or an established author seeking new perspectives, this book is definitely worth checking out. It has the potential to transform your writing and take it to the next level.

In her captivating essay, "Insert a Carrot," Anne Fadiman depicts a characteristic shared by all members of her family - an acute sensitivity to the flaws in others' writing. The Fadimans are part of that tribe whose members cannot read without simultaneously engaging in copy-editing. When dining out, they entertain each other by spotting typos on the menu. It may seem annoying, but they truly can't help it. If you're endowed with the copy-editing gene, you simply can't turn it off.

I suffer from the same issue. When I read, typographical and grammatical errors jump off the page, assaulting my eyes and demanding attention. They are a distraction I'm incapable of ignoring, hijacking my focus and lessening my respect for the author. I desire my own writing to be free of such distractions; it should be powerful and persuasive. I welcome constructive advice that helps me achieve that objective. My copy of "Modern American Usage" is dirty and well-thumbed. I believe its author, Bryan A. Garner, has accomplished something truly remarkable. He has written a usage guide that provides writers with clear, concrete, and reasoned advice, without being overly dogmatic or leaning towards sloppiness. I loathe sloppy writing.

I also detest Strunk and White. Its popularity is incomprehensible to me. Here are just a few of my objections:

1. Their famous motto, "Omit needless words," is inane and has no practical value whatsoever. (If I knew how to do this, I'd already be some sort of great communication guru.) Repeating this essentially empty advice in similarly vacuous formulations like "Be clear" and "Don't explain too much" offers no practical assistance to anyone and suggests that even the authors struggle to understand their own admonitions.

2. The stylistic tips that aren't merely trite are often just silly, hopelessly vague, or reflective of the long-outdated prejudices of a couple of old white men.

For example -

Do not inject opinion.

Prefer the standard to the offbeat.

Do not use dialect unless your ear is good.

Write with nouns and verbs.

Don't construct awkward adverbs.

Avoid fancy words.

Use figures of speech sparingly.

Do not overwrite.

Having trouble determining whether your ear is "good," your adverb is "awkward," or your writing is "over"? Good luck with that. S & W will be of no help at all. Why not?

3. The examples used to illustrate "bad" style in the book are generally ridiculously bad. The need for correction is so blatantly obvious that the examples have little instructional value. The authors are excellent at knocking down straw men, but if you seek advice on a subtle point, they are unlikely to be of any practical use.

4. The obsessive fixation on avoiding the passive voice is (a) puzzling (b) extremely irritating when some paperclip starts lecturing you about it (c) so patently idiotic that the authors themselves disregard it throughout the book.

Other questionable edicts include the decree that "none" should always take a singular verb, the prohibition on starting a sentence with "however," and the pointless "which/that" discussion.

These exemplify one of the book's biggest problems, which - to be fair - isn't necessarily the authors' fault. It has attained the status of a kind of sacred text, with all the attendant problems. People become blind to the internal inconsistencies within the text, it gets quoted with the kind of self-righteous fervor characteristic of "true believers" and for similar ends. Instead of stimulating thoughtful discussion, S & W is brandished as a weapon to end it. Which might not be so bad if the advice it contains weren't so vague, idiosyncratic, and frequently inconsistent. Probably the most infuriating aspect of writing our book was my co-author's constant invocation of Strunk and White as the ultimate arbiter. One can only wonder by whose authority these two gentlemen were crowned as gods.

In a clever marketing ploy, the latest edition of Strunk and White has been spruced up by including illustrations by Maira Kalman. Ms Kalman is a charming artist, whose work I greatly admire elsewhere. But she really should have declined this particular project. Her illustrations are occasionally pretty, sometimes puzzling, but generally pointless. They add no particular insight, although some readers may find them a welcome diversion from the brusque eccentricities of the book's two main authors.

Who could have imagined that a book centered around grammar could be both highly entertaining and extremely useful? It seems almost不可思议. But that's precisely what this particular grammar book manages to achieve. And when it comes to the audiobook version, Frank McCourt is truly the perfect choice. His rich and engaging voice brings the words to life in a way that makes learning grammar an absolute pleasure.

Listeners will find themselves captivated from the very first sentence, as McCourt's narration adds an extra layer of charm and personality to the text. Whether you're a grammar enthusiast looking to expand your knowledge or someone who struggles with the intricacies of the English language, this audiobook is sure to delight and educate.

With Frank McCourt at the helm, the grammar concepts are presented in a clear and accessible manner, making it easy for even the most novice learner to understand. So, if you're in search of a grammar resource that combines entertainment and education, look no further than this audiobook narrated by the talented Frank McCourt.

If you read this book, it is probably better to have a physical copy.

Especially if you want to use it as a guide through your writing process.

The main theme? Cut out unnecessary words. Got it.

While reading this, I strongly felt that it isn't the law of the land.

English is WAY too finicky for any writer to follow this book to a creed.

I've read so many books that absolutely get away with numerous so-called "indefensible" grammatical errors.

Is this book useful? Sure.

I'll make a note to never use "that fact that" in any capacity ever.

But maybe it's just how my brain works.

A lot of these rules just come off as hyper-picky, and the average English speaker will not notice or care if these errors are being made.

No wonder learning English is such a nightmare.

However, despite my reservations, I can see the value in this book for those who are serious about improving their writing skills.

It provides clear and concise guidelines for eliminating unnecessary words and improving the overall flow and readability of your writing.

While it may not be the be-all and end-all of writing guides, it can certainly be a useful tool in your arsenal.

So, if you're looking to take your writing to the next level, it's definitely worth giving this book a read.

Just don't expect it to solve all of your problems overnight.

I find it truly remarkable that this work was penned almost a century ago and yet remains so highly relevant and deeply revered in the present day.

The book precisely accomplishes what its title implies - it delves into the stylistic aspects of the English language. Each rule it presents is accompanied by numerous examples, facilitating a proficient understanding. It manages to be both extremely informative and yet offer nothing novel to me. Undoubtedly, this is of great practical assistance in academic writing. However, I found it rather insufficient for my current aspirations.

I listened to this in the form of an audiobook, and I don't believe it was truly适配 to that format. The information was conveyed in a dry and uninteresting style that seemed a bit repetitive. As I endeavored to process the overwhelming abundance of information, I could sense my attention waning. The grammatical advice was not new to me, which caused my attention to drift even further. I think I would have had a greater appreciation for this if I had uncovered it earlier.

This encompasses the fundamental grammatical and stylistic principles of excellent academic writing, and I feel it serves as a good beginner's manual for any aspiring writer. Regrettably, I had anticipated something different when approaching this, and it wasn't precisely what I was currently seeking.

As a couple of reviewers have mentioned,

Elements of Style has become somewhat out of style. There are indeed plenty of people who firmly stand by it as a trusted source for all things grammar. However, I dare say that even the most diehard supporters will grudgingly admit that the standards it established have at times led to some truly convoluted sentences.

Even so, I still highly recommend it as a handy pocketbook for anybody who is deeply interested in the craft of writing. When I originally read it a number of years ago, I was perhaps a little too strict in following the rules it so meticulously outlined. This had a somewhat negative impact on my writing. But as time went by and I outgrew some of the habits it taught me, I began to view it more as a valuable leap off point for amateur wordsmiths. It serves as a sturdy foundation upon which beginners can build their own unique style.

Yes, there are probably more up-to-date guides on grammar and writing available in the market. But to be honest, I haven't read those. So my rating for this book exists in a vacuum of sorts. It's a good manual if you take it as the beginning of wisdom, not the end. Most importantly, the material presented is simple and engaging. The examples and logic are straightforward, making it easy to understand. And at the very least, it will surely get you actively playing with the English language, which is a great starting point for any aspiring writer.

Ah, The Elements of Style! It is a small yet extremely powerful book that has accompanied me through more than three decades. Its pages are dog-eared, and its spine is cracked, but its wisdom remains eternal. The clarity, brevity, and simplicity it offers are truly remarkable. It is the book I turn to whenever I am in a moment of uncertainty. The desperation to recall the knowledge within its pages is palpable. And when I finally find the answer, the great satisfaction and relief that wash over me are indescribable. It is the most dependable companion I could ever ask for. Five stars. Forever.

It has been a constant source of inspiration and guidance in my writing journey. Its principles have helped me to refine my writing style and communicate my ideas more effectively. I cannot imagine my life without this wonderful book.

Good. Just remember that you learn the rules primarily to know when you should break them.

This statement holds great significance. Rules are established to provide a framework and ensure order in various aspects of life. However, blindly following rules without understanding their purpose can lead to rigidity and missed opportunities.

By learning the rules, we gain a deeper understanding of the underlying principles and context. This knowledge allows us to make informed decisions about when it might be appropriate to deviate from the norm. Breaking the rules can sometimes lead to innovation, growth, and the discovery of new possibilities.

It is important to strike a balance between respecting the rules and being敢于挑战传统 and explore new ways. This requires critical thinking, creativity, and the courage to take risks. So, remember that while rules are important, they are not set in stone, and there may be times when it is necessary to break them in order to achieve greater things.

Lisa of Troy Takes on Two Prestigious Literary Heavyweights

Round One

Ding! Ding!

When I was in high school, my Spanish teacher scared me so much that I wouldn't speak. It was one of those situations where you're internally pleading, "Please don't call on me. Please don't call on me." Of course, disaster struck. During one class, something got in my eye. Tears were streaming down my face. The other students noticed and basically crowd-surfed me to the front of the class, explaining the situation in rapid-fire Spanish. Nearly 20 years later, I still remember this experience vividly.

This fear-based environment had a profound negative impact on my Spanish skills.

Do you want to know when I learned the most Spanish? When I was at university, I met two native Spanish-speaking students - one from Mexico and one from Venezuela. We learned from each other. We talked in a mixture of Spanish and English, discussing things like how to order from Subway when you didn't know the names of all the toppings (ultimately, we settled on using words like "this", "that", and pointing). My learning went beyond outdated textbooks, and I learned slang, swear words, and listened to music in Spanish for fun. Soon I was even dreaming in Spanish. There was no person of authority, no "I'm-better-than-you." We learned from each other and unlocked new worlds.

This book took me back to Spanish class.

If Charlotte's Web is a hug, The Elements of Style is a punch in the face.

Although the authors have passion and enthusiasm, this book lacks kindness, basic respect, and empathy. The authors write in such a conceited tone as if they are talking to peasants.

Let's look at some examples. Strunk/EB White in italics below.

Colloquialisms. If you use a colloquialism or slang word or phrase, simply use it; do not draw attention to it by enclosing it in quotation marks. To do so is to put on airs, as though you were inviting the reader to join you in a select society of those who know better.

Enthuse. An annoying verb growing out of the noun enthusiasm. Not recommended.

I'm not enthused by the authors' pompous demeanor.

Finalize. A pompous ambiguous verb.

Is this the author's favorite word then?

Meaningful. A bankrupt adjective. Choose another, or rephrase.

Prestigious. Often an adjective of last resort. It's in the dictionary, but that doesn't mean you have to use it.

He says that you're illiterate if you don't know that inflammable means combustible.

The truth is…The fact is…A bad beginning for a sentence. If you feel you're possessed of the truth, or of the fact, simply state it. Do not give it advance billing.

Extreme disagree! The truth always perks up my ears. What is the truth? What's the point?

This shame-based education should be a thing of the past.

Do not affect a breezy manner.

Terrible advice. What I loved about Project Hail Mary is that I felt like one of my nerdy friends was having a conversation with me. Rick Riordan in the Percy Jackson series took some classic Greek mythology, modernized the language, and retold the myths in an unpretentious, interesting way, making them his own.

In ordinary composition, use orthodox spelling. Do not write nite for night, thru for through, pleez for please, unless you plan to introduce a complete system of simplified spelling and are prepared to take the consequences.

Stay in your lane, Strunk, telling me what I can and can't write! This paper is my canvas. As the painter, there are no limits. My creativity isn't bounded. If I want to say, "Good nite, my readers!" who cares? Maybe it will wake some people up. Why can't I use magic in my writing? Why can't I make up words or spelling, stretching myself, pushing readers to think outside the box?

Overly stuffy and formal writing and expecting strict compliance to a rigid set of rules is paralyzing.

The truth is that plot, character, and setting, as well as using appropriate sentence and paragraph length, are more important than using a few words correctly. In fact, I've already violated several of the rules of The Elements of Style in this review.

Avoid foreign language. It is a bad habit. Write in English.

What about carpe diem? Seize the day? Readers are smart. Treat them as such.

Avoid fancy words. Avoid the elaborate, the pretentious, the coy, and the cute. Do not be tempted by a twenty-dollar word when there is a ten-center handy, ready, and able.

Isn't that one of the beauties of reading? Ordinarily, our vocabulary is limited to a certain set of words in our everyday usage; however, when you read, you get to dust off those fancy words, words that you recognize but don't often use when you speak. When I encounter a fancy word, I feel like when I'm walking along a beach and find an amazing seashell. The fancy words are beautiful treasures.

For example, take the first sentence from His Dark Materials by my favorite author, Philip Pullman:

Lyra and her daemon moved through the darkening Hall, taking care to keep to one side, out of sight of the kitchen.

Darkening is not a word that I normally say out loud, but I really enjoyed it in this sentence. Of course, fancy words should be balanced. If I tried to use the thesaurus to change every single word into something more sophisticated, the sentence would sound ridiculous and take away from the storytelling.

Do not inject opinion.

Is this guy joking? This is classic, "Do as I say and not as I do."

No one can write decently who is distrustful of the reader's intelligence, or whose attitude is patronizing.

Who proofread this? The entire book is distrustful of the reader and is patronizing. Also, you don't need a comma between "intelligence" and "or." What kind of grammar book is this?

Time for street justice. Who won: Lisa of Troy or Strunk/EB White? Put your "two cents" in the comments!

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5+ stars (9/10 hearts). This book is truly excellent and is a must-have for every single writer.

Whether you are a professional author or simply a high-school student, you need it. It is simple, clear, witty, and wise.

Moreover, it looks really very pretty both as a printed book and an ebook, with a crisp and clean style.

I wholeheartedly recommend it to anyone aged 13 and above for a better understanding.

The rules in the book are excellent reminders. There is plenty of help for those words that we all often get confused between.

The last chapter is simply beautiful and amazing. And let's not forget how humorous it is!

This is one of those rare books that should be read at least twice a year. I just love to read it.

It's also a book that can be finished and begun instantly. Highly, highly recommended.

A Favourite Quote: “Write in a way that comes easily and naturally to you, using words and phrases that come readily to hand. But do not assume that because you have acted naturally your product is without flaw. The use of language begins with imitation. The infant imitates the sounds made by its parents; the child imitates first the spoken language, then the stuff of books. The imitative life continues long after the writer is secure in the language, for it is almost impossible to avoid imitating what one admires. Never imitate consciously, but do not worry about being an imitator; take pains instead to admire what is good. Then when you write in a way that comes naturally, you will echo the halloos that bear repeating.”

A Favourite Humorous Quote: “Flammable. An oddity, chiefly useful in saving lives. The common word meaning ‘combustible’ is inflammable. But some people are thrown off by the in- and think inflammable means ‘not combustible.’ For this reason, trucks carrying gasoline or explosives are now marked FLAMMABLE. Unless you are operating such a truck and hence are concerned with the safety of children and illiterates, use inflammable.”

Content: There is a mention of a sperm bank and one curse word, but in each case they are in example sentences and can be easily whitened out. There’s also a sentence quoted from another writer as an example that mentions wine, but only in passing.

This is an outstanding book that serves as an excellent guide for novice writers.

It clearly delineates the rules of English grammar, presenting examples to elucidate each guideline.

The clarity and comprehensiveness of this book make it a must-have for anyone looking to improve their writing skills.

I highly recommend this little gem to all beginning writers.

I was fortunate enough to purchase this book at a special price from the following link:
https://www.amazon.com/Elements-Style....

Don't miss out on this opportunity to enhance your writing abilities with this remarkable book.