Having just completed re-reading Essays of E. B. White, I am finally in full agreement with those who hail White as the greatest essayist of the 20th century. I turned back to White, in part, to seek refuge in what appears to be a simpler era. (Admittedly, this is a false perception, yet the feeling persists nonetheless.) What is it about White's essays that fills me with such profound joy? In the biographical afterword to the book, Hal Hager quotes White himself, providing a reason:
"I discovered a long time ago," White wrote in a letter, "that writing of the small things of the day, the trivial matters of the hearth, the inconsequential but near things of this living, was the only kind of creative work which I could accomplish with any sanctity or grace." With a prose style unrivaled in its grace and "sanctity," he revealed - and revealed within - what is enduring and joy-giving in the "inconsequential" and the "trivial."
Writing in today's world seems like a frantic race to make everything written about seem of the utmost importance and consequence. This race is fueled by clicks, views, and impressions, the currency of the Internet. Most of it is, in fact, trivial, and much of it is poorly written. White's writing offers a safe haven from these tempests. For instance, in "Home-Coming," White writes about his drive from New York into Maine and how the scenery has changed over the years. He observed:
Steering a car toward home is a very different experience from steering a car toward a rostrum, and if our findings differ, it is not that we differed greatly in powers of observation but that we were headed in different emotional directions.
His essays demonstrate that while the pace of life may change, the familiar endures. Writing about a hurricane in "The Eye of Edna," White comments on the feverish frenzy of weather broadcasts on the radio:
It became evident to me after a few fast rounds with the radio that the broadcasters had opened up on Edna awfully far in advance, before she had come out of her corner, and were spending themselves at a reckless rate.
Inhabitants of any area that experiences snow will recognize this behavior (which has not changed much in the 65 years since the essay was written, at the onset of any snowstorm).
In his classic essay "Here Is New York," White is almost alarmingly prophetic in his vision of how vulnerable a densely populated city like New York has become. In the essay, which is nearly 70 years old, White writes:
The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions.
White finds joy in transportation. He mourns the passing of the Model-T in "Farewell, My Lovely!" He waxes poetic about the simple joy of sailing in "The Sea and the Winds That Blow." His essay, "The Railroad," is a eulogy for what was once a magnificent form of transportation.
White's essays offer an escape from all that proclaims its own self-importance. His language is both meticulous and casual, his manner self-deprecating yet certain. In his essay on Don Marquis, White writes, "There are plenty of loud clowns and bad poets at work on papers today, but there are not many columnists adding to the belle lettres, and certainly there is no Don Marquis at work on any big daily."
Nor, alas, is there another E. B. White.
Keep in mind that usually I do not enjoy either essays or short stories. However, here the writing is truly exceptional. It is this outstanding quality that makes all the difference.
The essays in this collection cover a wide range of diverse topics. There are discussions on the art of writing, the appreciation of life's small delights, and wildlife including animals, flowers, and birds. It also delves into books and authors such as The Lives and Times of Archy and Mehitabel by Don Marquis, Henry David Thoreau, and The Elements of Style by William Strunk Jr.. Additionally, it touches on trips to Alaska and Florida, the tribulations of adolescence, Christmas holidays, disarmament, energy, and much more.
The very best essays are those where the topics, although related, also diverge in interesting ways. For example, an essay titled Bedfellows that explores Adlai Stevenson, Truman, Eisenhower, religion, faith, dogs, and politics was my absolute favorite.
The book concludes with a concise and highly appreciated biography of E.B. White and his wife. It is so good that it is worth picking up the book just for this section. In fact, it is ten times better than Michael Sims’s The Story of Charlotte's Web: E.B. White's Eccentric Life in Nature and the Birth of an American Classic.
The audiobook narration by Malcolm Hillgartner is simply impeccable. It is clear, easy to follow, and read at a perfect speed. THIS is exactly how I envision all audiobooks should be read!
I can describe the topics covered by the essays, but it is the way they are written that truly enchants. While I wasn't captivated by every single one, most of them I would rate with three or four stars, and one or two are definitely worthy of five stars. Overall, I thoroughly enjoyed this book and am giving it four stars. As for the narration, I have given it a full five stars.