2.25 stars
The Devil in the White City held great promise. It was set to be the tale of two men: the architect behind the World's Fair and the mass murderer who exploited it for his victims. Truly an interesting concept. However, the problem was that these two narratives were not smoothly integrated. Surprisingly, I found myself bored for a significant portion of the novel.
I perused a few other reviews and everyone seems to share similar views regarding the separation of the two main storylines. Some individuals prefer Holmes' narrative, while others favor Burnham's. Personally, I initially liked Burnham's story much more. But as the book progressed, I discovered Holmes to be far more captivating. This, I believe, comes down to personal preference, as I generally lose interest when non-fiction books delve into economics and business, which is precisely what happened here. Holmes' story was far more terrifying and engaging on a psychological level. There was one aspect, though, that turned me off towards the end of the book.
After reading works like The Five (Hallie Rubenhold's novel about the victims of Jack the Ripper), I have become more cognizant of how we ironically idealize these serial murderers for their intellect and madness and stereotype their victims, thereby neglecting to explore their stories. Although this did not occur specifically in the first three-quarters of this book, it became glaringly obvious to me towards the end. I understand that the objective of this book was to chronicle Holmes' life and his connection to the Fair, rather than to discuss his victims. Nevertheless, in the first few segments, he manages to outline the tragedy of Emeline and Minnie. Later on, however, when he describes the manner in which Holmes was apprehended, he overly glorifies him... perhaps that's just me being overly sensitive. And I felt that the conclusion of his story was too hasty.
This book was not terrible. It was mediocre. It had a few moments that I truly enjoyed, but the pacing was severely off, making it take an eternity to reach another interesting moment. I must, however, commend the author for the use of images. I thought it was quite ingenious to present us with images of the characters and the fair, as it helped to ground the story and make it seem almost surreal (even though it was based on true events).
I had hoped to like this book more, but such is the case.
*book completed as part of the March non-fiction challenge
Reading about B. H. Burnham's construction of the fair during a time rife with deadly diseases, grotesque environmental conditions, and bank failures was indeed enlightening. However, what was most captivating for me was the erection of the monstrous "Ferris" Wheel with its enclosed glassed-in seats. (I googled some amazing photos.)
And this man, Dr. HHH... Picture a young, handsome, and prosperous man with captivating big blue eyes, yet in reality, he is an evil psychopath, a sneaky cheat, and a conniving polygamist. This devil incarnate killed on a whim and brought turmoil to countless families with his slippery ability to prey on the weak and vulnerable. While I wasn't overly surprised by the naivety of the young women, the fact that the men fell for his sleazy schemes truly shocked me.
This work of non-fiction is jam-packed with interesting facts, faces, and descriptive details that are far too numerous to even begin to list here. But now, whenever I see Cracker Jack, I'll surely remember where it originated.
'The Devil in the White City' offers a captivating retelling of the historical events that revolved around the 1893 Chicago World's Fair. The author meticulously adhered to written records such as newspapers, memoirs, and books, presenting us with surprisingly intense and fact-based stories. The individuals involved in constructing the World's Fair exhibits aimed to create something truly amazing, and they achieved just that, despite putting their Victorian reputations and physical health at great risk.
Among the remarkable things on display were skyscrapers, luxurious Pullman cars, electric lights, and the very first Ferris wheel. Additionally, there was belly dancing, which elicited shocked responses from most paying customers. The promised cannibals nearly failed to show up but eventually made an appearance. However, the advertised pygmies could not be found in Africa in time for the fair, despite the permission given to kidnap them if necessary. The Wild West show arrived with real (!?!) cowboy and Indian battle demonstrations, starring Annie Oakley and attracting large crowds even when the fair itself was not selling as many tickets.
Many ordinary people with diverse hopes and plans were caught up in the excitement and came to Chicago hoping to change their lives with the opportunities presented by the fair. Unfortunately, some ended up in the clutches of a charming, handsome, and charismatic hotel owner who was not what he seemed. Everyone profiled in the book was seeking a fresh start and an opportunity to realize their happiness, regardless of how insignificant their ambition might have been. Sadly, psychotic murderers also find their happiness in watching others die, and they too come to fairs. In this book, we learn specifically about Mr. Holmes, a documented killer.
I thought I would include a link to a White City documentary: https://youtu.be/cpOQE5KJJds.
The dark/light duality of human nature is vividly on display in these brief chapters of American history. What was new or unknown about human behavior in the 1890s has now become fully integrated knowledge in our present. However, we still have not yet figured out how to identify and neutralize those who live for the dark.
The author is first and foremost a wonderful writer, and secondarily a historian. Despite the dryness of some of the material (for me, not all architectural design is enchanting), I was drawn into caring about these ambitious individuals, with the exception of the serial killer. It was interesting to see how strikingly familiar circus spectacles were to the Victorians, just as they were to the Ancient Greeks and moderns today.