Misery is indeed one of King's most popular novels, and now I have a profound understanding of the reasons behind its popularity.
To begin with, the setting of the story is presented clearly and effectively. Paul Sheldon, a best-selling novelist, is rescued from a car crash by his number one fan, Annie Wilkes. However, it soon becomes evident that Annie is a deeply troubled ex-nurse. She keeps Paul drugged with painkillers, hobbles him, and imprisons him, all in the name of making him finish the romance series she adores.
What makes this book truly remarkable, even if one has seen the excellent film adaptation, is King's ability to delve into the mind of his main character. As a writer himself, Paul is constantly thinking about how stories can unfold. Once he realizes he is trapped and likely to die there, he even contemplates his own story. The gradual realization of Annie's psychopathy by Paul is masterfully crafted. More than in any other King novel, the protagonist's grim situation truly weighs on the reader. One can easily understand Paul's despair and hopelessness.
Annie is无疑 one of the most terrifying and complex villains in modern literature. What is fascinating is how King provides enough clues about her behavior to make her, at times, sympathetic. The souvenir book she keeps, filled with clippings of her horrendous deeds, is one of the most chilling sequences in a King book.
The novel is not only a scathing commentary on rabid fan culture but also a shrewd exploration of the power of storytelling. Paul, admitting that his narrative skills are keeping him alive, sees himself as a Scheherazade. He comes to understand that he is not only trying to convince Annie with his tale but also himself.
The book is significantly more violent than the movie. Even the hobbling scene is different, and the rat scene, if it was in the movie, I don't remember it. I don't think I'll ever look at those riding lawnmower things in the same way again. The denouement is also different, quiet yet sinister, suggesting that these events have changed Paul forever.
I didn't have much interest in the book-within-a-book passages about Misery Chastain, the heroine whom Paul had initially killed off but was resurrected by super-fan Annie. However, from a genre perspective, these passages are interesting.
This is easily one of the top five King books I've read. While Misery might love company, I think I'll stay away from its dark, claustrophobic pull for a while.