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For those that said "Fear of Flying" was taboo or saturated with sex didn't end up reading "How to save your own life" once that was published.
"How to save..." is inundated with flight, sex, self-pity, guilt, bemoaning one's husband, sex, whining, sex, guilty & angry sex, more whining, some traveling, girl-on-girl sex to REALLY spite the selfish & also adulterous husband, traveling, sex AND love, refusal of an orgy for a night alone with your lover (emphasis on the love), separation, participation in an orgy at the thought of having lost your lover (more emphasis on the love), fleeing the husband, and ends with sex. The beloved character of Isadora Wing is now famous, still in a loveless, debilitating marriage (with decent if not really good sex) with her husband Bennett whom she returned to at the end of "Flying". Isadora finds out that Bennett had a long term affair before she ever began her sexual exploitations with other men and hates him throughout the whole novel for it. She repeats on at least three occasions how she's gotten there, how much she regrets staying with him and feels such a fool for thinking herself the sole adulterer in their marriage to find that her zipless fucks couldn't compare to the emotion her husband shared with another woman and refused to provide to her. While the female mind does go on such tangents and tends to replay scenes and thoughts over and over and over again in a novel once or twice is enough. And our "heroine" repeating the same diatribe of being confused for her overtly sexual character Candida yet finding the fame most writers want, being surrounded by supportive people, having artistic cliques both rich and poor, always having someone to screw (two Jeffrey's; a cold-hearted latching lesbian student, Rosanna; to name a few) leads you to wonder "Why the hell doesn't she just up and leave?" Yes, the fear of loneliness can be daunting but reading this book from 1977 in 2009 just makes the character seem overly whiny.
In the Afterword Jong admits that some of Isadora is based on herself (no duh) and that she looks upon the character now wanting to save her from herself and all her bad choices (endless screwing perhaps, whining and staying in a stifling marriage just because she's allowed to write per se?) Who knows?
I do like the Isadora character and really related to her in "Fear of Flying" and while the book is interesting and still in her funny, relatable tone I found that her living the life of the rich & famous, having all the luxury to write and teach and screw made her less on par with me but someone I'm looking up at and thinking "How does she have it so bad?"
Isadora finally finds the love she's been searching for and of course through a detailed sex scene finally connects with her younger lover as they build a life together. I would've left it at that as Jong wrote that in this novel Isadora and Josh are in love forever, rather than adding on another book in the chaotic life of Isadora Wing (mind you they tag which books are "Isadora Wing novels" on each reprinted cover) where she goes through motherhood and a harsh divorce. Sometimes iconic characters should just be left in that suspended state of happiness, whether or not it does go with the narrative of real life. Lord knows all the sex Isadora was having didn't ring true that much for me, though self-destructiveness does. Plus, it WAS the 1970s.
"How to save..." is inundated with flight, sex, self-pity, guilt, bemoaning one's husband, sex, whining, sex, guilty & angry sex, more whining, some traveling, girl-on-girl sex to REALLY spite the selfish & also adulterous husband, traveling, sex AND love, refusal of an orgy for a night alone with your lover (emphasis on the love), separation, participation in an orgy at the thought of having lost your lover (more emphasis on the love), fleeing the husband, and ends with sex. The beloved character of Isadora Wing is now famous, still in a loveless, debilitating marriage (with decent if not really good sex) with her husband Bennett whom she returned to at the end of "Flying". Isadora finds out that Bennett had a long term affair before she ever began her sexual exploitations with other men and hates him throughout the whole novel for it. She repeats on at least three occasions how she's gotten there, how much she regrets staying with him and feels such a fool for thinking herself the sole adulterer in their marriage to find that her zipless fucks couldn't compare to the emotion her husband shared with another woman and refused to provide to her. While the female mind does go on such tangents and tends to replay scenes and thoughts over and over and over again in a novel once or twice is enough. And our "heroine" repeating the same diatribe of being confused for her overtly sexual character Candida yet finding the fame most writers want, being surrounded by supportive people, having artistic cliques both rich and poor, always having someone to screw (two Jeffrey's; a cold-hearted latching lesbian student, Rosanna; to name a few) leads you to wonder "Why the hell doesn't she just up and leave?" Yes, the fear of loneliness can be daunting but reading this book from 1977 in 2009 just makes the character seem overly whiny.
In the Afterword Jong admits that some of Isadora is based on herself (no duh) and that she looks upon the character now wanting to save her from herself and all her bad choices (endless screwing perhaps, whining and staying in a stifling marriage just because she's allowed to write per se?) Who knows?
I do like the Isadora character and really related to her in "Fear of Flying" and while the book is interesting and still in her funny, relatable tone I found that her living the life of the rich & famous, having all the luxury to write and teach and screw made her less on par with me but someone I'm looking up at and thinking "How does she have it so bad?"
Isadora finally finds the love she's been searching for and of course through a detailed sex scene finally connects with her younger lover as they build a life together. I would've left it at that as Jong wrote that in this novel Isadora and Josh are in love forever, rather than adding on another book in the chaotic life of Isadora Wing (mind you they tag which books are "Isadora Wing novels" on each reprinted cover) where she goes through motherhood and a harsh divorce. Sometimes iconic characters should just be left in that suspended state of happiness, whether or not it does go with the narrative of real life. Lord knows all the sex Isadora was having didn't ring true that much for me, though self-destructiveness does. Plus, it WAS the 1970s.