Ultimately this cannot be read as a stand alone book, for it's strongly connected to Ms. O'Faolain's memoirs and is as much about her own thinking and feeling as it is about the nominal subject. It's beautifully written, as are all of her books, but in the end, I tired of it, because it seemed to me that she was wasting a lot of effort on a subject that was ultimately unworthy of her.

The author didn’t do a great job of making me care about the subject. It was painstaking to get through.

An interesting yet highly speculative account of the life of 'Chicago' May Duignan, a young Irish girl who ran away from home in the late 19th century, away from her rural life. Crossing the Atlantic, she soon became a notorious figure in America. This notoriety was clearlyl deserved - May was a well-known confidence trickster, thief, prostitute and sometime showgirl. She spent a considerable amount of time behind bars as a result of her career choices, but she was a strong, intelliegent and determined woman (although, like many intelligent women, she seems to have had a weakness for dangerous and manipulative men), and appears to have been a thoroughly fascinating, feisty character. O'Faolain neatly puts May's life and exploits in their historical context, but the sheer amount of speculation and what can only be called fantasising about May's life on the part of the author becomes rather wearing for the reader, and leaves it as a volume somewhat slight in its content. Not as good as it could have been.

Eye opener. Loved it.

Fascinating. Nuala did it again. She "talks" to her reader when she wrote. Nuala read about Chicago May when she lived in Ireland and couldn't find enough info about her. May was born in Co. Longford, left her family home with all their savings. She went to Chicago and became a prostitute and a wanted criminal. She was married about four times and imprisoned in France and jailed in the States. She did return home once but her family was ashamed of her. Nuala followed May's footsteps to see what May saw and researched all the records and wrote May's story to add to the story that May had written about herself (which Nuala noted was poorly written).

I have been wanting to read this book for a long time, as I am a fan of O'Faolain's writing, and I also find the lives of infamous people fascinating - where did they come from, how did they end up doing whatever it is that made them famous, etc. This book was a nice combination of the two. In addition to that, it was my first choice for the "What's in a Name" reading challenge, serving as a book with a place name in the title.

The story begins as May Duignan, 19 years old, is running away from her family home in Edenmore, County Longford, Ireland. Edenmore was a small town and many of its inhabitants, including May's family, were barely eaking out an existence. She has sixty sovereigns in her pocket, and a desire to "get out of town." The year is 1890.

By the time May arrives in America, she has already to make do and be quick-witted; when she is asked who will be responsible for her here, she names an uncle that she doesn't really remember, but that she knows emigrated to America years ago, and is living in Nebraska. O'Faolain's research showed no one with May's family name living in Nebraska at the time - however, throughout her life, she gave different names at different times, depending on the situation, so there is the chance that she didn't use her real name upon entry to the country.

May makes her way to Nebraska, and there her life as part of the criminal element begins. She falls in love with a man named Dal Churchill, who is a known thief, highway robber, etc., in the rough and tumble area which was then thought of as the American West. From here to the end of the book, we follow May to several cities in several countries as she does what it takes to survive. O'Faolain theorizes that, because she has no formal education or skills, her choices are limited. She looks around, and realizes that being a con artist, or a prostitute, or simply a petty thief is more financially lucrative than many of the jobs open to the Irish during that time period. She does have a brief period of marriage and respectable domesticity, but the lure of her other life wins out in the end.

This book was a fascinating read. O'Faolain manages to make May a real person, though not necessarily a likable one. You feel for her, but at a certain point you also realize that she is making decisions for herself, and realizes what the consequences are of being caught. The people who surround her are interesting in and of themselves, and their place in her story and her orbit add to the sense of dangerous adventure that is May's story.

In addition, I enjoyed the aspect of the book which talked about the law enforcement practices of the time, as well as society's changing attitudes towards criminals. There is plenty of corruption to go around, as well as attempts to reform the criminal justice system. There are stories of various members of a family who work for the Pinkerton Detective Agency. There is a description of the "job" in Paris at the American Express Building, which was one of the biggest heists of its time. Basically, there's a little something for everyone here, if social history interests you.

O'Faolain's journey up to the time she writes the book, and once it is written, is also of interest. Her fascination with May Duignan sends her on not just a physical journey from place to place, but a personal one as she comes to grips with some of her own demons related to her late younger brother.

There are ways I think that this book could have been better. There are parts that drag, at least as far as I am concerned. But I found it to be a good read, and a fascinating look at a life that was not necessarily atypical for its time and place.

Awkward format interferred with enjoyment of story.

The Story of Chicago May (Hardcover)
by Nuala O'Faolain

Feminine sexualization. A biography of a woman in crime. Irish immigrant to America. Prohibition era.

This story is interesting and has a lot of potential. I think it was just too much good material that went by the wayside caused by an author who infused her own life story into that of "Chicago May's." I love a good turn-of-the-century underworld story (e.g. "Devil in the White City) but this was somewhat of a disappointment. It was great learning a bit about Chicago May but, her history (or lack thereof) would be best framed by a semi-non-fiction novel, not a non-fiction meets memoir. It reminds me of an essay/thesis I wrote about "Portrait of the Artist as a Young Man" in CAP English the night before it was due. Sure, I did an okay job and it was entertaining to the professor (who gave me an A-) but, it was a half-assed, nonsensical comparison to my life and full of ideology I stole from the lyrics of Depeche Mode songs.

I have to say that I was really excited to read about one of my favorite topics, Irish hookers at the turn of the century, but I was disappointed. I even made myself finish reading the book thinking that it would get better. I guess the authors story meshed with Chicago May's story didn't do it for me. I was more interested in Chicago May, no offense to the author.

In this book, she writes about a woman of a certain distinction who went by the name of Chicago May. She tries to understand something about her by the little information she comes across in her research. If you like reading social history through the exploration of a certain character, I recommend this book. I am a sucker for stories about strong women who do things that go against the grain. May does whatever she can to escape her difficult life in Ireland. She comes to the United States and, well, I don't want to give too much away, but things don't get that much easier. If there was enough of a narrative thread, it would make a great Untouchables-era film, let's just say that.

Une biographie pas inintéressante, d'une personne qui pourrait être considérée comme beaucoup (surtout à son époque) comme parfaitement infréquentable, et c'est là que ça devient intéressant, de se pencher sur une vie à laquelle peu d'écrivains porteraient attention.
J'ai bien aimé aussi la façon dont l'autrice mêle son travail de biographe et la biographie elle-même.
J'ai moins aimé le trop-plein (à mon goût) de sentimentalisme et je me questionne sur certaines interprétations: est-ce qu'on peut d'une quelconque manière interpréter les actions d'une personne autre que nous-mêmes? En déduire quoi que ce soit d'un tant soit peu proche de la réalité concernant les motivations et les sentiments de cette personne? J'ai comme un doute.
Ainsi, l'autrice décide assez rapidement que la plus grande tragédie de Chicago May, celle dont tout découle ou presque, c'est d'avoir "succombé" à la prostitution. Est-ce que ce n'est pas aller un peu vite en besogne? Je ne dis pas que la vie d'une prostituée à la fin du 19ème et au début du 20ème était facile. Mais en fait, qu'est-ce que j'en sais? Qu'est-ce qui animaient ces femmes? Quelles alternatives avaient-elles? Et puis derrière ces interprétations j'y trouve aussi beaucoup de jugement, quelque chose de très puritain, au fond.