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This is no doubt an interesting photo album but suffers from having been written from the winner's point of view in a very obvious manner plus almost half of the book covers the US involvement in the Pacific and the war with Japan, which is quite disproportionate considering the whole of World War 2.
Firstly, the winner's point of view is evident in too many photo captions. Whereas all the Allied soldiers in the pictures are always described as "brave", "victorious" or "heroic", the Axis soldiers depicted doing the exact same things as the Allies soldiers (storming into battle or crash-landing in burning planes) are for some reason always "doomed", "frenzied" or "desperate". I found that slant quite distasteful.
Secondly, whereas half of the book is dedicated to the USA fighting the Japanese in the Pacific, this disproportionate coverage becomes evident when one compares the 100 000 US military losses against Japan with the 10 million Soviet military losses against Germany (who itself also lost around 6 million soldiers). The US suffered less than 1% of the casualties of what the Russians suffered against the Germans, so dedicating half the book to events covering that 1%, while leaving the other half to deal with all the rest is not very balanced in my opinion.
Probably the culmination of this bias is the two-page coverage of a World War 2 ace fighter pilot. Was it Erich Hartmann, who had 352 confirmed air kills? Or any of the 100 Luftwaffe pilots, who had more than 100 kills? Or the best Japanese pilot, who had 90 kills or the best Soviet one, who had 60? Of course not - the only fighter pilot introduced in detail was the top-scoring US pilot Richard Bong, who had 40 kills. Sure, he was and probably will remain the top-scoring US fighter pilot of all time and I am sure he was an incredible pilot - but if you were to choose just one pilot from the whole war to feature, why would you chose someone, who wasn't even in the top 200? The only possible answer is because he is from the US, never mind the fact that his 40 kills is absolutely dwarfed by the mind-blowing feats of Erich Hartmann with his 352 kills or any of the 16 Luftwaffe pilots who amassed 200+ kills.
Granted, this is a book produced in the US and many of the photos are by LIFE photographers, so a slight US slant would be understandable and acceptable. However, for a book that claims to cover the whole war and which even in its introduction touts that rare photos were researched and found from all over the world (Germany, Japan, Russia, Italy etc), it is unfortunate that we see and learn so little of the crucial battles fought in North Africa, Russia and Europe and are saturated with coverage of the Pacific theatre, which was essentially just a side-show compared to what was going on in Europe at the time.
The essays introducing each year by eminent authors are succinct and to the point, though of a somewhat uneven quality and once again slanted heavily towards the US involvement. The "Then and Now" sections presenting the influence of WW2 on life today is a good idea in theory but in practice it falls flat. Had the editors of the book kept to their original goal of showing us incredible photos from 1938-1945, those war-time photos would have made the book timeless and enduring. However, to illustrate their "Then and Now" essays, we are also shown various photos from the 90s and even 2001, which really have no place in the book. In fact, the unintended consequence of these more "modern" photos is that they make the book look incredibly dated instead.
I honestly expected more out of this book. It is still an excellent photo album and a passable overview of WW2, however be prepared for a disproportionate coverage of the Pacific theatre and it really doesn't do justice to the intended goal of covering the whole of World War 2.
Firstly, the winner's point of view is evident in too many photo captions. Whereas all the Allied soldiers in the pictures are always described as "brave", "victorious" or "heroic", the Axis soldiers depicted doing the exact same things as the Allies soldiers (storming into battle or crash-landing in burning planes) are for some reason always "doomed", "frenzied" or "desperate". I found that slant quite distasteful.
Secondly, whereas half of the book is dedicated to the USA fighting the Japanese in the Pacific, this disproportionate coverage becomes evident when one compares the 100 000 US military losses against Japan with the 10 million Soviet military losses against Germany (who itself also lost around 6 million soldiers). The US suffered less than 1% of the casualties of what the Russians suffered against the Germans, so dedicating half the book to events covering that 1%, while leaving the other half to deal with all the rest is not very balanced in my opinion.
Probably the culmination of this bias is the two-page coverage of a World War 2 ace fighter pilot. Was it Erich Hartmann, who had 352 confirmed air kills? Or any of the 100 Luftwaffe pilots, who had more than 100 kills? Or the best Japanese pilot, who had 90 kills or the best Soviet one, who had 60? Of course not - the only fighter pilot introduced in detail was the top-scoring US pilot Richard Bong, who had 40 kills. Sure, he was and probably will remain the top-scoring US fighter pilot of all time and I am sure he was an incredible pilot - but if you were to choose just one pilot from the whole war to feature, why would you chose someone, who wasn't even in the top 200? The only possible answer is because he is from the US, never mind the fact that his 40 kills is absolutely dwarfed by the mind-blowing feats of Erich Hartmann with his 352 kills or any of the 16 Luftwaffe pilots who amassed 200+ kills.
Granted, this is a book produced in the US and many of the photos are by LIFE photographers, so a slight US slant would be understandable and acceptable. However, for a book that claims to cover the whole war and which even in its introduction touts that rare photos were researched and found from all over the world (Germany, Japan, Russia, Italy etc), it is unfortunate that we see and learn so little of the crucial battles fought in North Africa, Russia and Europe and are saturated with coverage of the Pacific theatre, which was essentially just a side-show compared to what was going on in Europe at the time.
The essays introducing each year by eminent authors are succinct and to the point, though of a somewhat uneven quality and once again slanted heavily towards the US involvement. The "Then and Now" sections presenting the influence of WW2 on life today is a good idea in theory but in practice it falls flat. Had the editors of the book kept to their original goal of showing us incredible photos from 1938-1945, those war-time photos would have made the book timeless and enduring. However, to illustrate their "Then and Now" essays, we are also shown various photos from the 90s and even 2001, which really have no place in the book. In fact, the unintended consequence of these more "modern" photos is that they make the book look incredibly dated instead.
I honestly expected more out of this book. It is still an excellent photo album and a passable overview of WW2, however be prepared for a disproportionate coverage of the Pacific theatre and it really doesn't do justice to the intended goal of covering the whole of World War 2.