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Not all poetry has to be heavy and dark and stormy and stressful.
It can be light and boyant and playful and inventive, too. Critics get down on Silly Billy for his apparent friviolity, which is really only in surface and style.
He's pretty mad, bad, and dangerous to know if you take another look.
He has this gracefulness with language and pacing and statement, it really is limpid, like Updike says on the back. Unpretentious and consistenly lovely and self-deprecating while tackling real meaty issuesthat keep philosophers drunk and desperate and depressed.