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Dead Famous is Dead On
In the 1960s I read Terry Southern's novel The Magic Christian. In that story, an eccentric billionaire fills a pool with excrement, urine, and blood, throws some money into center of the mix, and tells people that they can have the money if they are simply willing to swim out into this Dantesque morass to retrieve it. There were many takers. At the time, in my naivety, I assumed this was but a mere allegory, a cautionary tale about greed, and not something that would actually happen in reality. But then came "Reality" TV, If you have watched television at all in the last 25 years, you have no doubt seen real people eat deer genitalia, live cockroaches, and road kill just for a "chance" to win a few thousand dollars. Why do they put such things on the air? The TV execs in Ben Elton's Dead Famous would tell you that it is because these degrading acts are "Good Tele."
Dead Famous is both a biting (no, make that "stabbing") satire on reality programming and a well-crafted mystery. As the book begins, the police are already on the set of the latest Big Brother-like reality show. There's been a murder, and despite the fact that all of the suspects were locked into a house in which 30 cameras and 40 microphones are recording every second of the day and night in every inch of the house, no one can figure out who the killer is. The rest of the story is told as a series of flashbacks in which we get to know the vain, backstabbing contestants, some of whom have secrets, and the rapacious producers who exploit, manipulate, and betray the contestants for the sake of improving the show's market share.
Dead Famous is funny and well written. It skewers reality shows, the shows' contestants, and the people who watch them.
WARNING: There is a lot of sex and potty talk in the book, but since much of it is in "British," you can just pretend you don't have the slightest idea what the author is talking about.
Dead Famous is Dead On
In the 1960s I read Terry Southern's novel The Magic Christian. In that story, an eccentric billionaire fills a pool with excrement, urine, and blood, throws some money into center of the mix, and tells people that they can have the money if they are simply willing to swim out into this Dantesque morass to retrieve it. There were many takers. At the time, in my naivety, I assumed this was but a mere allegory, a cautionary tale about greed, and not something that would actually happen in reality. But then came "Reality" TV, If you have watched television at all in the last 25 years, you have no doubt seen real people eat deer genitalia, live cockroaches, and road kill just for a "chance" to win a few thousand dollars. Why do they put such things on the air? The TV execs in Ben Elton's Dead Famous would tell you that it is because these degrading acts are "Good Tele."
Dead Famous is both a biting (no, make that "stabbing") satire on reality programming and a well-crafted mystery. As the book begins, the police are already on the set of the latest Big Brother-like reality show. There's been a murder, and despite the fact that all of the suspects were locked into a house in which 30 cameras and 40 microphones are recording every second of the day and night in every inch of the house, no one can figure out who the killer is. The rest of the story is told as a series of flashbacks in which we get to know the vain, backstabbing contestants, some of whom have secrets, and the rapacious producers who exploit, manipulate, and betray the contestants for the sake of improving the show's market share.
Dead Famous is funny and well written. It skewers reality shows, the shows' contestants, and the people who watch them.
WARNING: There is a lot of sex and potty talk in the book, but since much of it is in "British," you can just pretend you don't have the slightest idea what the author is talking about.