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Some small differences between this script and the finished film—few snippets of dialog here that were cut and/or addressed visually; a line here and there spoken by a different character; actions occasionally staged in slightly different ways that lend themselves here better to being read, whereas the film, rightly, presents them in a more visually and cinematically appealing way. But largely this screenplay is just what you get in the film, and it stands on its own extremely well.
Garland’s themes are substantial and his precision and focus excellent. He draws on some wonderful sources of inspiration (several mentioned in his intro) and reworks them into his own thing to brilliant effect. It makes perfect sense that 28 Days Later helped usher in a new interest in zombie stories. It remains one of the best of the genre.
Garland’s themes are substantial and his precision and focus excellent. He draws on some wonderful sources of inspiration (several mentioned in his intro) and reworks them into his own thing to brilliant effect. It makes perfect sense that 28 Days Later helped usher in a new interest in zombie stories. It remains one of the best of the genre.