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Dick Francis is a prime example of the old writing adage to "Write what you know." He had an in-depth knowledge of horses, inside and out. His main characters encompass almost every aspect of the British horseracing business. There are jockeys, ranging from beginners to champions, trainers, stable boys, bloodstock agents, and more. As far as I can tell, the only vocation he missed was that of a valet, the men in charge of a jockey's gear. Even his earliest books were well-plotted, with a good pace, interesting characters, and they kept me captivated until the last page. After writing several excellent mysteries, he hit the bestseller lists with REFLEX and continued to do so consistently. Dean Koontz, in his book WRITING BEST-SELLING FICTION, attributed this to his publishers finally giving his books extensive advertising. However, I believe an additional factor was that he began regularly including a second interesting subject alongside the horsiness. This could be photography, computer programming, gemstones, the wine business, and so on. He had done this to some extent in previous books, but from REFLEX on, the secondary subject was thoroughly researched and构成了故事的很大一部分. He had a remarkable talent for weaving an incredible amount of information into his storylines and making it both interesting and enjoyable to read. I'm a teetotaler, but I found his book PROOF absolutely fascinating. This first book of the series throws you right into the action, in the middle of a steeplechase that suddenly goes horribly wrong. In search of the truth, our hero gets drawn deeper and deeper into a web of evil, and the end of the book (like almost all of his other books) becomes a harrowing, nail-biting ride to a thrilling conclusion. If you enjoy good mysteries, you can't go wrong with these, even if you're not particularly interested in horses. A book by Dick Francis is always a "sure thing."