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First, a critique of Dick Francis the author. Then a review of his first book.
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I love Dick Francis’s books for the intelligent writing; he’s just plain an excellent writer and superb storyteller. He sets up a good mystery and maintains suspense. The horse jump-racing culture that his books explore is thrilling. Even when most of the activity is in another field, it still is tangentially involved with horse racing.
Each book has its own main character — only 4 of the 30 I’ve read have had the same main character (2 each). In one book the main character was a horse painter and the story involved forgeries (In the Frame); another was an insurance man (Risk); the way jockeys use (or don’t use) their whips (Whip Hand) — yes, an entire book and every page fascinating. Another involved the use of the old-fashioned humane killer (Bolt); injuries endured by jockeys, and which are career-ending (Bonecrack); breeding (Blood Sport); cheating by jockeys, trainers or owners (Enquiry); betting and unscrupulous trainers (Forfeit), and so on.
Nearly every book has detailed descriptions of English jump racing, courses from Cheltenham to Plumpton, jockeys’ weighing rooms, stable life, etc. It is surprising how many people are engaged in racing, from reporters, judges, touts, pilots, stable hands, exercise grooms, physicians and veterinarians, to drug firms, labs for routine or excessive-seeming testing, jockeys, race course officials, weighing room personnel, (take a breath!) insurance salesmen, breeders, owners, artists, announcers, maintenance crews, on and on.
A New York Times Book Review comment about his work says that “because of the lore you collect as you go, it feels like a field trip with the perfect guide.” I couldn’t agree more. His description alone of the horses parading through the streets of Newmarket on a foggy morning on the way to the gallops inspired me to go there to see for myself. Thank you, Mr Francis!
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Dead Cert, published in 1962, was his first book. I read it some time around 2007.
As he rode through the thick English fog, jockey Alan York was looking at an all-too-familiar sight: the back of champion rider Bill Davidson astride the great racehorse Admiral. But this was one race York was destined to win: Before Admiral jumped the last fence Bill Davidson would be dead. Alan knew racing was a dangerous sport, but he also knew this had been no accident.
Like his other books, this one rates 5 stars from me for suspense and character development. I was hooked.
* * * * * * * * * * * *
I love Dick Francis’s books for the intelligent writing; he’s just plain an excellent writer and superb storyteller. He sets up a good mystery and maintains suspense. The horse jump-racing culture that his books explore is thrilling. Even when most of the activity is in another field, it still is tangentially involved with horse racing.
Each book has its own main character — only 4 of the 30 I’ve read have had the same main character (2 each). In one book the main character was a horse painter and the story involved forgeries (In the Frame); another was an insurance man (Risk); the way jockeys use (or don’t use) their whips (Whip Hand) — yes, an entire book and every page fascinating. Another involved the use of the old-fashioned humane killer (Bolt); injuries endured by jockeys, and which are career-ending (Bonecrack); breeding (Blood Sport); cheating by jockeys, trainers or owners (Enquiry); betting and unscrupulous trainers (Forfeit), and so on.
Nearly every book has detailed descriptions of English jump racing, courses from Cheltenham to Plumpton, jockeys’ weighing rooms, stable life, etc. It is surprising how many people are engaged in racing, from reporters, judges, touts, pilots, stable hands, exercise grooms, physicians and veterinarians, to drug firms, labs for routine or excessive-seeming testing, jockeys, race course officials, weighing room personnel, (take a breath!) insurance salesmen, breeders, owners, artists, announcers, maintenance crews, on and on.
A New York Times Book Review comment about his work says that “because of the lore you collect as you go, it feels like a field trip with the perfect guide.” I couldn’t agree more. His description alone of the horses parading through the streets of Newmarket on a foggy morning on the way to the gallops inspired me to go there to see for myself. Thank you, Mr Francis!
****************************
Dead Cert, published in 1962, was his first book. I read it some time around 2007.
As he rode through the thick English fog, jockey Alan York was looking at an all-too-familiar sight: the back of champion rider Bill Davidson astride the great racehorse Admiral. But this was one race York was destined to win: Before Admiral jumped the last fence Bill Davidson would be dead. Alan knew racing was a dangerous sport, but he also knew this had been no accident.
Like his other books, this one rates 5 stars from me for suspense and character development. I was hooked.