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While the first section of this book is dense and a tad merciless about it, the information one can garner from it yet is still more than one would get out of a usual text that long. It's really that the rhythm and density of it makes it a bit unwelcoming and conceptually unclear. But when the second part, "The Age of Reagan," kicks in, the purpose of the prior chapters clicks into focus as the book progresses. But it's really the second section of this book that has the most incredible, clarifying analysis delivered with uncompromising boldness. The analysis of the Mondale campaign against Reagan, especially in relation to the Jackson campaign and the trade-unionist bureaucracies, rings all too true today as the Democratic party once again repeats its mistakes of abandoning itself to a near-identical "military Keynesianism" brand of economic regime that was a far cry from the economic ideas set forth in the New Deal or the Great Society. Davis's analysis remains intersectional and refreshing: Prisoners of the American Dream bolsters a lot of the arguments in Allen's The Invention of the White Race in that Davis convincingly argues that a 70s middle-class strata of white bourgeois moderates created and maintained a backlash to the civil rights aspirations of the 60s, and this backlash - along with the AFL-CIO's racist protectionism and lack of interest in organizing women's work (i.e., the upsurge of clerical workers that happened in those decades) - were part of a serious recipe that all in all constituted a death knell to the rise of a sustainable labor movement in solidarity with minorities and marginalized groups. The culture that brought the Democrats farther rightward was the one where the white middle strata - the buffer zone between oppressed minorities and prosperous white elites - was functioning, essentially as designed, when discussed in Allen's text. Much of Davis's analysis is spot on, and many of his predictions did come true. Portents of the Bernie campaign abound, and likewise with the right-wing nose-dive into fascism. The text is cathartic in its second act, dense with excoriating analysis, and masterfully prescient all in all. But it comes after a hell of a slog of a first act. I wonder if the second part would suffice on its own, but overall it did pay off handsomely as a whole.