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I had not read Dr. Seuss as a child, but his name was familiar as a sort of institution in the USA. However, I primarily thought of him as a writer of children's books, with his own quirky style of writing and illustration, until I came across this book. However, it stayed unread in my computer until I came across the following cartoon in social media:
It was terrifically relevant in today's situation, so I thought it was time I read the book.
Dr. Seuss (Theodore Geisel) contributed editorial cartoons to the left-wing magazine PM from January 1941 to January 1943. His cartoons mostly criticised Hitler and Japan (Mussolini too, to a lesser extent), American isolationism in the face of Hitler's global aggression, racism and antisemitism.
Seuss's depiction of Hitler, and his enormous ego, is masterful. The Fuehrer is always shown with eyes closed in a superior fashion, and his nonexistent mouth indicates it to be tightly closed in a line, in supposed contempt of all humanity. His overweening ego is captured in a terrific illustration which also serves as the cover of this volume: Hitler the sculptor crafting the statue of Hitler the conqueror.
In contrast, Mussolini was diminished to the level of a street thug, and a battered one at that:
It is interesting to see that Stalin, who was initially looked on with suspicion and depicted as a dubious character, changes his looks once he joins the allied cause.
The first one is when the Soviet Union had a pact with both Germany and Japan: the second is after Hitler’s invasion of Russia. Stalin’s smile has become more open and less sinister!
However, he was racist to a very great extent as far as Japan was concerned: all Japanese are shown with the same face - slant eyes, round spectacles, scraggly moustache and idiotic leer. The most objectionable thing is, however, his presentation of Japanese Americans as some sort of fifth column, as shown in the cartoon below:
Even more objectionable was his depiction of all Japanese as murderers. The obnoxious cartoon below (which earned him a lot of flak) satirises John Haynes Holmes, a pacifist pastor, for saying that “the unhappy people of Japan are our brothers”:
When PM got a barrage of letters objecting to this travesty, Dr. Seuss went all out to defend his attitude instead of apologising. This is why this book came down to 3 stars for me: all his objection to racism and antisemitism, I feel, was just “political correctness” – as far as the Asian was concerned, his true nature shone forth. I wonder how he would have depicted the Arab had he been drawing today!
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One last point: I absolutely love Seuss’s animals, especially the cat, who slink about on the borders of his cartoons. The man could draw!
It was terrifically relevant in today's situation, so I thought it was time I read the book.
Dr. Seuss (Theodore Geisel) contributed editorial cartoons to the left-wing magazine PM from January 1941 to January 1943. His cartoons mostly criticised Hitler and Japan (Mussolini too, to a lesser extent), American isolationism in the face of Hitler's global aggression, racism and antisemitism.
Seuss's depiction of Hitler, and his enormous ego, is masterful. The Fuehrer is always shown with eyes closed in a superior fashion, and his nonexistent mouth indicates it to be tightly closed in a line, in supposed contempt of all humanity. His overweening ego is captured in a terrific illustration which also serves as the cover of this volume: Hitler the sculptor crafting the statue of Hitler the conqueror.
In contrast, Mussolini was diminished to the level of a street thug, and a battered one at that:
It is interesting to see that Stalin, who was initially looked on with suspicion and depicted as a dubious character, changes his looks once he joins the allied cause.
The first one is when the Soviet Union had a pact with both Germany and Japan: the second is after Hitler’s invasion of Russia. Stalin’s smile has become more open and less sinister!
However, he was racist to a very great extent as far as Japan was concerned: all Japanese are shown with the same face - slant eyes, round spectacles, scraggly moustache and idiotic leer. The most objectionable thing is, however, his presentation of Japanese Americans as some sort of fifth column, as shown in the cartoon below:
Even more objectionable was his depiction of all Japanese as murderers. The obnoxious cartoon below (which earned him a lot of flak) satirises John Haynes Holmes, a pacifist pastor, for saying that “the unhappy people of Japan are our brothers”:
When PM got a barrage of letters objecting to this travesty, Dr. Seuss went all out to defend his attitude instead of apologising. This is why this book came down to 3 stars for me: all his objection to racism and antisemitism, I feel, was just “political correctness” – as far as the Asian was concerned, his true nature shone forth. I wonder how he would have depicted the Arab had he been drawing today!
------------------------------------
One last point: I absolutely love Seuss’s animals, especially the cat, who slink about on the borders of his cartoons. The man could draw!