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I have some pet peeves when it comes to books. One of my pet peeves is "perfect" (and therefore unrelatable) characters. But Patterson is quite a trickster- making you think that at least one of these characters has a fatal flaw. But nope. In the end we discover that all characters were perfect after all- perfect looking (well, there is the one girl who thinks she's too tall. Like a model), perfect acting (always thoughtful, always kind, always good-humored, open and loving and talented with good taste), rich, educated, sociable, beloved by all...
Sorry. I just puked in my mouth a little.
I mean the leading man, Matt, is not only tall and handsome and humble and handy, but he's also an emotionally sensitive poet that dances with his wife on the beach and makes love like a fierce tiger. He never gets mad, he never leaves his socks on the floor. He smells like the sun.
Sorry. Happened again.
The women aren't any better. Highly successful, gorgeous (but don't know it). Neither understand how to use birth control but FORTUNATELY they're both fabulous natural mothers- of course. Never a moment post-partum. Never a night when, going on two hours sleep she freaks out at her Ken-Doll husband in the middle of the night- yelling at him to get his sorry- arse out of bed and help her before she burns down their glorious beach house along with their yuppie CD collection, fresh produce, and romantic lighting.
Even the baby is perfect. Never fusses. Never poops all over the adorable crib crafted from beachwood by his perfectly toned and tanned father. Never throws a tired-tantrum in the middle of the family photo.
"Isn't it lucky?"
I'd say. The luckiest fabricated family in the friggin' world. But then, I've never been to Martha's Vineyard.
Having said that, there was one thing in the book that made me feel something- a mother's love for her baby- THAT felt real. THAT was touching. THAT was devastatingly sweet and sad. Still. It would have been more real and touching if mother and baby had been human.
Props to Patterson for attempting to write from a woman's perspective. It just wasn't this woman's.
Sorry. I just puked in my mouth a little.
I mean the leading man, Matt, is not only tall and handsome and humble and handy, but he's also an emotionally sensitive poet that dances with his wife on the beach and makes love like a fierce tiger. He never gets mad, he never leaves his socks on the floor. He smells like the sun.
Sorry. Happened again.
The women aren't any better. Highly successful, gorgeous (but don't know it). Neither understand how to use birth control but FORTUNATELY they're both fabulous natural mothers- of course. Never a moment post-partum. Never a night when, going on two hours sleep she freaks out at her Ken-Doll husband in the middle of the night- yelling at him to get his sorry- arse out of bed and help her before she burns down their glorious beach house along with their yuppie CD collection, fresh produce, and romantic lighting.
Even the baby is perfect. Never fusses. Never poops all over the adorable crib crafted from beachwood by his perfectly toned and tanned father. Never throws a tired-tantrum in the middle of the family photo.
"Isn't it lucky?"
I'd say. The luckiest fabricated family in the friggin' world. But then, I've never been to Martha's Vineyard.
Having said that, there was one thing in the book that made me feel something- a mother's love for her baby- THAT felt real. THAT was touching. THAT was devastatingly sweet and sad. Still. It would have been more real and touching if mother and baby had been human.
Props to Patterson for attempting to write from a woman's perspective. It just wasn't this woman's.