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This is essentially a memoir. That’s the first warning I want to give. The book digs into Miller’s evolving thought-life but is not a book of essays or philosophy.
Second, this book does not age well. It is so much of its time that I can only laugh at the language Miller uses at times, and cringe most of the other times.
His references to Mark Driscoll and Joshua Harris, though passing, sort of define the book for me. Here are two men who tried to remake Christian culture because they got frustrated with the way things were. They were well-supported by people who wanted Christianity to be relevant, and tried to be counter-cultural in the way that appealed to counter-cultural people. But where are they now? One’s demise and utter, deep spiritual failures are the subject of an extremely popular podcast (The Rise and Fall of Mars Hill), and the other has now turned a complete 180. Both refuse to give up their power because, and this is just my guess, they care more about their ability to lead others to a truth than to find the truth themselves.
So where does Miller fit into this? He too tries to be different, and tries to speak God and Jesus in a new language that won’t scare off the new, unchristian American audience he was entertaining. I admire his efforts to use language and culture to talk about Jesus in a new way, but in the end he is so much of his time that the book is already aging and losing a it’s zest. What is underneath that zest is subpar prose and a few anecdotes that I would be willing to call meaningful.
I leave this thought for the end, perhaps because it is bold of me, but a white boy using jazz as a metaphor is revealingly naive. And just like a white boy, his prose is too clunky, uncontrolled, and disconnected to earn the name of jazz.
Second, this book does not age well. It is so much of its time that I can only laugh at the language Miller uses at times, and cringe most of the other times.
His references to Mark Driscoll and Joshua Harris, though passing, sort of define the book for me. Here are two men who tried to remake Christian culture because they got frustrated with the way things were. They were well-supported by people who wanted Christianity to be relevant, and tried to be counter-cultural in the way that appealed to counter-cultural people. But where are they now? One’s demise and utter, deep spiritual failures are the subject of an extremely popular podcast (The Rise and Fall of Mars Hill), and the other has now turned a complete 180. Both refuse to give up their power because, and this is just my guess, they care more about their ability to lead others to a truth than to find the truth themselves.
So where does Miller fit into this? He too tries to be different, and tries to speak God and Jesus in a new language that won’t scare off the new, unchristian American audience he was entertaining. I admire his efforts to use language and culture to talk about Jesus in a new way, but in the end he is so much of his time that the book is already aging and losing a it’s zest. What is underneath that zest is subpar prose and a few anecdotes that I would be willing to call meaningful.
I leave this thought for the end, perhaps because it is bold of me, but a white boy using jazz as a metaphor is revealingly naive. And just like a white boy, his prose is too clunky, uncontrolled, and disconnected to earn the name of jazz.