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I felt that I could thoroughly relate to this story of a woman waking up one day to realize that the life she has constructed for herself through 20 years of marriage - good wife, loving mother, etc. - is generic and empty. As she muses at the outset of the novel, Jessie Sullivan has lived for over 40 years and "never done anything extrordinary." This sentiment resonated with me because I believe that many of us have such feelings as we approach mid-life. It is the basis of the mid-life crisis. In this context, I did not have a difficult time accepting her affair with Brother Thomas. I understood that she had felt smothered in her role of housewife, confused by her newly-shed role of mother (her daughter had just started college), and needed some authentic experiences of her own to revive her. She later gained perspective on what she had done, the selfishness of her actions, the hurt she caused in others, and accepted ownership of it all. I did not dislike her, but found her to be a "real" person.
The writing in this novel is stunning, with beautiful island descriptions, tales of mermaid mythology and ritual, and wonderful, realistic internal and external dialogue. I listened to this novel on audiotape, and perhaps that heightened my experience, but I felt that I could picture the island, Jessie's home in Atlanta, her paintings, the estuaries and everything else described. Sue Monk Kidd's powers of description are phenomenal.
The writing in this novel is stunning, with beautiful island descriptions, tales of mermaid mythology and ritual, and wonderful, realistic internal and external dialogue. I listened to this novel on audiotape, and perhaps that heightened my experience, but I felt that I could picture the island, Jessie's home in Atlanta, her paintings, the estuaries and everything else described. Sue Monk Kidd's powers of description are phenomenal.