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More of the same. Dedicated "with love to Barbara Bush". The way Scarpetta keeps oggling her naked niece's body gets more and more disturbing, esp. since I doubt Cornwell will make a real f/f incest case out of this. Poor Benton has his "still surprisingly supple" body dutifully admired, and pale feet like her niece.
The blurb as usual proclaims not only that she does it best and has bad imitators, but that this one is "her best and bleakest" (don't get up my hopes - or maybe that just means the guy will die (to resurrect later)) and praises the "sinister atmosphere ... cool prose" = as usual the most puzzling thing about this series. Could she be so famous for political reasons? At least it's quick to skim through.
ETA: 100 pages left to go, so a little about the "plot": we're back with Temple Gault! You thought she finally killed off that least threatening, most boring serial killer of all, but there's still his partner, who is similarly off-screen, has similarly inexplicable superduperhumannatural capabilities that enable her to work from inside prisons and across states in no time and with no money - where was I? Oh, yes, and Kay is so very scared and terrorised again because Claire is as much a scourge as Temple was *yawn* and so she makes a few extra-flights to run after her niece for no reason other than the descriptions of banal manual tasks hadn't filled enough pages yet. The "death" of Benton was of course only a paragraph but will duly be revisited as the trauma of her life, see all past novels. The FBI for the first time ever gets gently criticised, with disclaimers all around, indicating again her political involvement (I have no interest in finding out who took over the FBI when). The only one of her many personal-political opinions I thought good was the case of a child dying because it's parents were against medicine because god heals, but that was also gently done because - fitting with her politics - KS is more and more religious.
There are less things to quote this time, so I will later add the pertinent lines - ignoring all the insane comparisons and semantically wrong conversations (just the sun bouncing like a manic child with her ball, no "his voice was as muscular as his body" this time, and I'm focussing on the interpersonal).
But for now, just this: I actually threw back my head and laughed out loud at the ... well, perhaps it was meant a horrifying, tragic ending, but it was all too much: first the only other murders KS hadn't cleared yet were retconned to Carrie's new partner, who has nearly as stupid a name as Temple Gault but whose motive was that he had bad acne. Not. Kidding! And then, after spending the whole book talking about the ever absent Carrie as "the monster" and "evil", Kay and Lucy *shakes with sad hilarity* get into a helicopter battle with them ... *cracks up again* ow ow ow. Sob?
The blurb as usual proclaims not only that she does it best and has bad imitators, but that this one is "her best and bleakest" (don't get up my hopes - or maybe that just means the guy will die (to resurrect later)) and praises the "sinister atmosphere ... cool prose" = as usual the most puzzling thing about this series. Could she be so famous for political reasons? At least it's quick to skim through.
ETA: 100 pages left to go, so a little about the "plot": we're back with Temple Gault! You thought she finally killed off that least threatening, most boring serial killer of all, but there's still his partner, who is similarly off-screen, has similarly inexplicable superduperhumannatural capabilities that enable her to work from inside prisons and across states in no time and with no money - where was I? Oh, yes, and Kay is so very scared and terrorised again because Claire is as much a scourge as Temple was *yawn* and so she makes a few extra-flights to run after her niece for no reason other than the descriptions of banal manual tasks hadn't filled enough pages yet. The "death" of Benton was of course only a paragraph but will duly be revisited as the trauma of her life, see all past novels. The FBI for the first time ever gets gently criticised, with disclaimers all around, indicating again her political involvement (I have no interest in finding out who took over the FBI when). The only one of her many personal-political opinions I thought good was the case of a child dying because it's parents were against medicine because god heals, but that was also gently done because - fitting with her politics - KS is more and more religious.
There are less things to quote this time, so I will later add the pertinent lines - ignoring all the insane comparisons and semantically wrong conversations (just the sun bouncing like a manic child with her ball, no "his voice was as muscular as his body" this time, and I'm focussing on the interpersonal).
But for now, just this: I actually threw back my head and laughed out loud at the ... well, perhaps it was meant a horrifying, tragic ending, but it was all too much: first the only other murders KS hadn't cleared yet were retconned to Carrie's new partner, who has nearly as stupid a name as Temple Gault but whose motive was that he had bad acne. Not. Kidding! And then, after spending the whole book talking about the ever absent Carrie as "the monster" and "evil", Kay and Lucy *shakes with sad hilarity* get into a helicopter battle with them ... *cracks up again* ow ow ow. Sob?