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It would be difficult to deny the importance of Achilles in Vietnam. An often insightful work, Jonathan Shay's study affirms the humanity of Vietnam war veterans by giving voice to their traumas, both collective and individual, and the ways in which these experiences have fundamentally re-defined their character and value system during and after combat. The Iliad provides an interesting comparative framework, through which Shay is able to find shared cultural resonances to further understand and validate their emotional experiences. As a work of Classical reception, Shay's inventive monograph is in many ways a pioneering and distinctive contribution to Homeric scholarship.
However, Achilles in Vietnam is also a deeply flawed work. While it understandably focuses on only American Vietnam war veterans, Vietnam serves merely as a backdrop to articulate the experiences of American soldiers. Vietnamese civilians and soldiers alike are deprived of any agency; they are either only characterized as victims or as the Vietcong enemies. Passing references to Vietnamese casualties or Vietcong tactics only serve to illustrate American soldiers' mentalities, almost as plot devices in a fictional novel. Shay claims that his use of the Iliad as reference does not indicate a desire to heroicize American soldiers, but throughout the work, Americans tower as Greek heroes and Gods over the voiceless and essentialized Vietnamese. Shay casually mentions many veterans' racist views, but does nothing to address them or even acknowledge them as systematic issues. In these ways, Achilles in Vietnam perpetuate harmful Orientalist narratives that seem to be characteristic of all American portrayals of the Vietnam War (Apocalypse Now, Miss Saigon...). While Shay advocates for a nuanced understanding of American veteran experiences, does Vietnam not deserve even a modicum of nuance?
However, Achilles in Vietnam is also a deeply flawed work. While it understandably focuses on only American Vietnam war veterans, Vietnam serves merely as a backdrop to articulate the experiences of American soldiers. Vietnamese civilians and soldiers alike are deprived of any agency; they are either only characterized as victims or as the Vietcong enemies. Passing references to Vietnamese casualties or Vietcong tactics only serve to illustrate American soldiers' mentalities, almost as plot devices in a fictional novel. Shay claims that his use of the Iliad as reference does not indicate a desire to heroicize American soldiers, but throughout the work, Americans tower as Greek heroes and Gods over the voiceless and essentialized Vietnamese. Shay casually mentions many veterans' racist views, but does nothing to address them or even acknowledge them as systematic issues. In these ways, Achilles in Vietnam perpetuate harmful Orientalist narratives that seem to be characteristic of all American portrayals of the Vietnam War (Apocalypse Now, Miss Saigon...). While Shay advocates for a nuanced understanding of American veteran experiences, does Vietnam not deserve even a modicum of nuance?