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A friend of mine got married to a Trinidadian woman (who has become a friend of mine), and I realized I knew nothing of Trinidad and/or Tobago. As I do, I reached for the greatest literary artists of that country to learn something, and Nobel prize winning V.S. Naipaul seemed like the obvious choice.
Magic Seeds might not have been the best book to read, especially as a first introduction to both Trinidadian writers and to Naipaul himself. Mostly, I am sure, because Magic Seeds was the second part of a previous book, Half a Life. In short, I was picking up the second half of a story without having read the first half. That said, I have always felt that you should be able to pick up any book in a series and find some enjoyment from it regardless of where you start.
There was certainly enjoyment to be had. It was clear from the prose why Naipaul won the Nobel Prize. His lean, clear prose style often strikes at the heart of things. He is keen in his observations, and the last line of Magic Seeds will resonate with me for quite a while.
The book as a whole, though, left me flat. The book jumped, often without resolving any of the issues raised earlier. The scope of the book, which is not very long, is massive, covering several countries, continents and years of Willie's life. Any book this sprawling is going to leave some unanswered questions, but this book seemed to purposefully leave things in the air.
That, though, might have been the point of the book (and here, I won't go into too much detail, so as not to spoil any interested readers). The themes raised by the book - those of authenticity, of a life well-lived, of ideals and anticipation - certainly lend themselves to a sprawling book, and Naipaul's eventual conclusions demonstrate why there was little holding these moments together.
Still, though, I wonder if the point is well-made. I've recently been watching Aaron Sorkin's News Room and in it, the Executive Produce MacKenzie is constantly looking for the best form of the argument being made. That is, rather than the most extreme or the loudest version, her newscast looks to have knowledgeable guests that can inform the electorate as to the best form of the argument to be made. In Magic Seed, I don't feel his approach to the narrative is the best way to make the point he wants to make.
Magic Seeds might not have been the best book to read, especially as a first introduction to both Trinidadian writers and to Naipaul himself. Mostly, I am sure, because Magic Seeds was the second part of a previous book, Half a Life. In short, I was picking up the second half of a story without having read the first half. That said, I have always felt that you should be able to pick up any book in a series and find some enjoyment from it regardless of where you start.
There was certainly enjoyment to be had. It was clear from the prose why Naipaul won the Nobel Prize. His lean, clear prose style often strikes at the heart of things. He is keen in his observations, and the last line of Magic Seeds will resonate with me for quite a while.
The book as a whole, though, left me flat. The book jumped, often without resolving any of the issues raised earlier. The scope of the book, which is not very long, is massive, covering several countries, continents and years of Willie's life. Any book this sprawling is going to leave some unanswered questions, but this book seemed to purposefully leave things in the air.
That, though, might have been the point of the book (and here, I won't go into too much detail, so as not to spoil any interested readers). The themes raised by the book - those of authenticity, of a life well-lived, of ideals and anticipation - certainly lend themselves to a sprawling book, and Naipaul's eventual conclusions demonstrate why there was little holding these moments together.
Still, though, I wonder if the point is well-made. I've recently been watching Aaron Sorkin's News Room and in it, the Executive Produce MacKenzie is constantly looking for the best form of the argument being made. That is, rather than the most extreme or the loudest version, her newscast looks to have knowledgeable guests that can inform the electorate as to the best form of the argument to be made. In Magic Seed, I don't feel his approach to the narrative is the best way to make the point he wants to make.