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Talking to a student about Anne Frank's diary.
As almost always, I get questions precisely when I think I state some "unchallenged" truth, and this question is good - why I believe it to be the most important document from the Holocaust for adolescents. After all, it doesn't really describe the horror that came afterwards. It is not about Auschwitz and Bergen-Belsen and about dying at the very end of the war. It is not about dying at all, really, even though the fear is omnipresent in the hiding-place. It is about living as a teenager in a tiny space with your parents and your sister and some more or less pleasant additional inhabitants that you can't afford to hate outright as they are just trying to save their lives.
I think it is the most important document of the Holocaust because it describes what happened to NORMAL, EVERYDAY people with all the positives and negatives that human beings are made of. It is a document to the random cruelty of hatred to strike people who have done absolutely nothing at all to provoke anybody. Who just wanted to live their difficult and easy and happy and sad normal lives and grow up and fulfil private dreams. It is about the humanity of those who became the victims of the Holocaust, about their personalities as defined before they were usurped by the evil machinery that forever changed the perception of what humans are capable of.
Anne Frank is a storyteller on the edge of the abyss who shows the horror by NOT describing it in graphic detail. This is her life, not her death. And to build empathy and love for humanity as a whole, we need to see the humans underneath the categories that psychopaths use to stigmatise "otherness".
As young and inexperienced as Anne was, she was fully human and perfectly equipped to show the world the bizarre disproportion between the abstract hatred that guided the criminals in charge during the Third Reich and the real-life targets.
When I first read this, aged 13, I had nightmares each night for almost a year, and I wished I could "undo" my knowledge. And now I promote this very source of my nightmares to the next generation because I strongly believe that by feeling for and with Anne and her family, we develop the tools to recognise the patterns of hatred and to speak up against them.
Some nightmares need to be dreamed to prevent others from becoming reality - again!
As almost always, I get questions precisely when I think I state some "unchallenged" truth, and this question is good - why I believe it to be the most important document from the Holocaust for adolescents. After all, it doesn't really describe the horror that came afterwards. It is not about Auschwitz and Bergen-Belsen and about dying at the very end of the war. It is not about dying at all, really, even though the fear is omnipresent in the hiding-place. It is about living as a teenager in a tiny space with your parents and your sister and some more or less pleasant additional inhabitants that you can't afford to hate outright as they are just trying to save their lives.
I think it is the most important document of the Holocaust because it describes what happened to NORMAL, EVERYDAY people with all the positives and negatives that human beings are made of. It is a document to the random cruelty of hatred to strike people who have done absolutely nothing at all to provoke anybody. Who just wanted to live their difficult and easy and happy and sad normal lives and grow up and fulfil private dreams. It is about the humanity of those who became the victims of the Holocaust, about their personalities as defined before they were usurped by the evil machinery that forever changed the perception of what humans are capable of.
Anne Frank is a storyteller on the edge of the abyss who shows the horror by NOT describing it in graphic detail. This is her life, not her death. And to build empathy and love for humanity as a whole, we need to see the humans underneath the categories that psychopaths use to stigmatise "otherness".
As young and inexperienced as Anne was, she was fully human and perfectly equipped to show the world the bizarre disproportion between the abstract hatred that guided the criminals in charge during the Third Reich and the real-life targets.
When I first read this, aged 13, I had nightmares each night for almost a year, and I wished I could "undo" my knowledge. And now I promote this very source of my nightmares to the next generation because I strongly believe that by feeling for and with Anne and her family, we develop the tools to recognise the patterns of hatred and to speak up against them.
Some nightmares need to be dreamed to prevent others from becoming reality - again!