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Not the best of Doogie, but not the absolute worst either. The random, all-over-the-place approach that worked for his most popular work, The Hitchhiker's Guide to the Galaxy, does not, unfortunately, work for this book. The pacing is off in many places, while the ending is rushed in a way that suggests someone was probably holding a gun to his head or withholding the next payment (which is often more effective than one, and infinitely less messier. You have no idea how tough it is to get brains off the walls without leaving a mark). Still a largely enjoyable read, but people who don't absolutely love Marvin would be better off finding another entry point into the mad, mad world of Douglas Adams.