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Ray, a corporate law professor and recent divorcee receives a letter summoning him and his younger brother, Forrest, home to discuss his dying father’s estate, but the judge succumbs to cancer (or, rather, intentionally overdoses on morphine) by the time the brothers arrive. Quickly, Ray uncovers a trove of cash, which he promptly hides from Forrest. What follows is a mystery to identify the source of the secret stash.
Fans of Grisham’s other novels will recognize the patriarch and his son’s lawyer, Harry Rex, from supporting roles in the Jake Brigance series and Patton French from The King of Torts. Though, there is no need to have read those books to enjoy this one.
Grisham is an expert at delivering entertaining anecdotes that illuminate the physical and emotional state of the characters as well as the physical and moral setting of the story. For example, in early chapters, we see Ray angrily land at an airport in a shabby plane beside his now-fashionable ex-wife and her rich, replacement husband’s sleek jet, plus a flashback about an infamous but respected decision by the judge in his early years to protect the free speech rights of both the first pornographic film to be played in their small southern town’s theatre and the protesters who objected to it. These asides frame Ray as a jealous man largely motivated by a desire for expensive things and the senior Atlee as a just man largely motivated by a desire to do the right thing. These inserts also orient the reader in Clanton, Mississippi and focus the reader on the story of ethical conundrums that is about to unfold.
Some might have difficulty enjoying this book, as Ray’s moral superiority is intentionally annoying to the reader. He’s constantly referring to Forrest and the people who are after the money as the bad guys, even though he’s the one who is dating a student and lying to everyone about the size of the estate including Forrest (who has a rightful claim to half of it) and his own lawyer (who obviously needs to know the truth to do his job properly). In my opinion, reading from this unsympathetic narrator’s viewpoint is bearable and worth the irritation, however, as Ray ultimately gets his comeuppance.
Fans of Grisham’s other novels will recognize the patriarch and his son’s lawyer, Harry Rex, from supporting roles in the Jake Brigance series and Patton French from The King of Torts. Though, there is no need to have read those books to enjoy this one.
Grisham is an expert at delivering entertaining anecdotes that illuminate the physical and emotional state of the characters as well as the physical and moral setting of the story. For example, in early chapters, we see Ray angrily land at an airport in a shabby plane beside his now-fashionable ex-wife and her rich, replacement husband’s sleek jet, plus a flashback about an infamous but respected decision by the judge in his early years to protect the free speech rights of both the first pornographic film to be played in their small southern town’s theatre and the protesters who objected to it. These asides frame Ray as a jealous man largely motivated by a desire for expensive things and the senior Atlee as a just man largely motivated by a desire to do the right thing. These inserts also orient the reader in Clanton, Mississippi and focus the reader on the story of ethical conundrums that is about to unfold.
Some might have difficulty enjoying this book, as Ray’s moral superiority is intentionally annoying to the reader. He’s constantly referring to Forrest and the people who are after the money as the bad guys, even though he’s the one who is dating a student and lying to everyone about the size of the estate including Forrest (who has a rightful claim to half of it) and his own lawyer (who obviously needs to know the truth to do his job properly). In my opinion, reading from this unsympathetic narrator’s viewpoint is bearable and worth the irritation, however, as Ray ultimately gets his comeuppance.