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Ick. One star for a decent plot, and a respectable theme.
I dislike being told all about a character, especially by the character herself. Show me, and let me experience the story rather than instructing me. I found much of the narrative to be a little trite, and sometimes too "Harlequinesque".
Far too many mundane details about insignificant acts, such as an entire paragraph on making risotto. No, I did not think that such ramblings of routine ran counterpoint to Jo's impulsiveness, nor that they served to exemplify the simple peace she sought. It bored me to tears.
I found much of her behavior hard to buy. Perhaps because it was so often explained after incidents occurred. Frankly, I found her to be quite stupid. For instance, her daughter, Sadie, is responsible for getting her involved with another character, but when problems develop between them, the effect this might have on Sadie doesn't even occur to her.
No matter how understanding I tried to be of Jo's growth process, I couldn't develop any fondness for the heroine. In some cases, negative feelings about the protagonist can work wonderfully - not so in this case. Primarily, she frustrated me and I found myself repeatedly wanting to see her either shut up or grow up. The fact that she finally seems to accomplish this in the end was, for this reader, too little too late.
I dislike being told all about a character, especially by the character herself. Show me, and let me experience the story rather than instructing me. I found much of the narrative to be a little trite, and sometimes too "Harlequinesque".
Far too many mundane details about insignificant acts, such as an entire paragraph on making risotto. No, I did not think that such ramblings of routine ran counterpoint to Jo's impulsiveness, nor that they served to exemplify the simple peace she sought. It bored me to tears.
I found much of her behavior hard to buy. Perhaps because it was so often explained after incidents occurred. Frankly, I found her to be quite stupid. For instance, her daughter, Sadie, is responsible for getting her involved with another character, but when problems develop between them, the effect this might have on Sadie doesn't even occur to her.
No matter how understanding I tried to be of Jo's growth process, I couldn't develop any fondness for the heroine. In some cases, negative feelings about the protagonist can work wonderfully - not so in this case. Primarily, she frustrated me and I found myself repeatedly wanting to see her either shut up or grow up. The fact that she finally seems to accomplish this in the end was, for this reader, too little too late.