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Not bad, I suppose—especially interesting when compared to the film adaptation, which I'd seen first.
The movie was no great shakes, really, although the cast did a solid job with what they'd been given. Still, I sought out the book because I felt that, as with most film adaptations, a lot of depth had probably been jettisoned, and rightly so, in the translation to the screen. After all, a novel can tackle a lot more than two hours of screen time can.
Imagine my surprise to find that the movie had more depth than the novel did. One of the most charming and fully-realized characters (relatively speaking, here) in the movie was nothing more than a throwaway gay joke in the book. And whereas there's growth and change among most of the major players in the movie, the novel pays only lip service to "your characters must change by the end of the book," and then only to the protagonist, whose "change" is telegraphed from page 1. The boss, the "devil" of the title, remains exactly the same from beginning to end—possibly intentionally, but I thought the Hollywood treatment of her, though formulaic, was more satisfying.
These things would have cheesed me off more if I hadn't discovered that the whole thing was written by a 22-year-old, because lord knows I never could have written something as impressive as this at that age, so I'm willing to cut a great deal of slack. And the truth is, it is an enjoyable read on a page-to-page basis, even if the whole book isn't altogether satisfying. Empty calories.
The movie was no great shakes, really, although the cast did a solid job with what they'd been given. Still, I sought out the book because I felt that, as with most film adaptations, a lot of depth had probably been jettisoned, and rightly so, in the translation to the screen. After all, a novel can tackle a lot more than two hours of screen time can.
Imagine my surprise to find that the movie had more depth than the novel did. One of the most charming and fully-realized characters (relatively speaking, here) in the movie was nothing more than a throwaway gay joke in the book. And whereas there's growth and change among most of the major players in the movie, the novel pays only lip service to "your characters must change by the end of the book," and then only to the protagonist, whose "change" is telegraphed from page 1. The boss, the "devil" of the title, remains exactly the same from beginning to end—possibly intentionally, but I thought the Hollywood treatment of her, though formulaic, was more satisfying.
These things would have cheesed me off more if I hadn't discovered that the whole thing was written by a 22-year-old, because lord knows I never could have written something as impressive as this at that age, so I'm willing to cut a great deal of slack. And the truth is, it is an enjoyable read on a page-to-page basis, even if the whole book isn't altogether satisfying. Empty calories.