...
Show More
There is a special magic reading the first chapters of Christopher's account with a group of teenagers.
Usually, they are indifferent to start with, just another book that will end up an essay or another assignment. They are tired, and in their teenage grandiosity, they think they know everything about how "books work". And then they frown.
Teenage pedants kicks in.
"That's not chapter 7!"
"He got all the numbers wrong!"
"What a stupid book!"
Once that discussion starts, the teacher pedant has to restrain herself not to give the answer, not to lecture the students on what they are "supposed" to discover in the patterns. They will like it so much more if they find out how Christopher functions on their own, without the meddling of a typical adult teacher mind.
Once they do find out they are usually engaging in the story on a deeper level: it reads like a mystery that works on two levels - one being the mystery Christopher tries to solve himself, and the other being cracking the code to communicating with Christopher on his terms.
This is young adult fiction that really fulfils its purpose of engaging adolescents in topics that they can relate to, while also offering enough tension and suspense to keep them on the edge, turning pages.
The message (especially to students who suffer from lacking belief in themselves and in the future) is a perfect closing statement: if Christopher can be brave and solve a mystery and go to London and write a book and find his mother, he can do anything - and so can YOU!
Usually, they are indifferent to start with, just another book that will end up an essay or another assignment. They are tired, and in their teenage grandiosity, they think they know everything about how "books work". And then they frown.
Teenage pedants kicks in.
"That's not chapter 7!"
"He got all the numbers wrong!"
"What a stupid book!"
Once that discussion starts, the teacher pedant has to restrain herself not to give the answer, not to lecture the students on what they are "supposed" to discover in the patterns. They will like it so much more if they find out how Christopher functions on their own, without the meddling of a typical adult teacher mind.
Once they do find out they are usually engaging in the story on a deeper level: it reads like a mystery that works on two levels - one being the mystery Christopher tries to solve himself, and the other being cracking the code to communicating with Christopher on his terms.
This is young adult fiction that really fulfils its purpose of engaging adolescents in topics that they can relate to, while also offering enough tension and suspense to keep them on the edge, turning pages.
The message (especially to students who suffer from lacking belief in themselves and in the future) is a perfect closing statement: if Christopher can be brave and solve a mystery and go to London and write a book and find his mother, he can do anything - and so can YOU!