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First published in 1962, Willeford’s novel Cockfighter is the story of one man and his what might be called an obsession with winning the Cockfighter of the Year award. That trophy alone would satisfy Frank Mansfield. To him, nothing else really mattered. The story opens with Frank betting everything, from his trailer to his car on a match and noting that he had no choice under custom but that pay off and walk away with nothing in his hands but an empty cage as his bird didn’t survive. He even threw in Dodi, the sixteen year old farm picker’s daughter who had run off with him and now he didn’t know quite what to do with her. Meanwhile, Frank has a fiancé at home in Ocala, one he’d been engaged to for eight years and wouldn’t marry yet though he loved her because he wouldn’t give up his vocation of fighting birds. Mary Eliazbeth wanted him to settle down with a normal job and be a husband and a father.
To further complicate matters, Willeford presents Frank as a silent man who has taken a vow of silence till he wins the Southern Tournament. He communicates by hand signals and notes. Frank is a proud man and though at one point reduced to playing guitar for money, playing the only three songs he knew, he wouldn’t take charity.
Willeford never paints Frank as a saint, but as one who had a singleminded pursuit of a goal, to the exclusion of all else. For Frank, all that really mattered was winning at the tournament and he would abide by the rules no matter the outcome. Despite this, there are many in the story eager to break the customs and to welsh on their bets, bit not Frank. He would use any edge he could get, any trick, any additive, but they had to be within the rules.
The reader here will learn more about the sport of cockfighting than the reader could imagine whether you want to hear all the gory details. At its heart, it’s a story of obsession, of singlemindedness, of all that comes with it. There’s also a sense that the sport is pure and Willeford makes fun of others who tell their stories and those who put on airs. The fact that Frank doesn’t speak leaves lots of room for people to make fools of themselves.
Willeford himself said the book is loosely tied to Homer’s Odyssey. The key here is loosely. Like Ulysses, Frank can’t get home to Ocala until he accomplishes his tasks, but the parallel is rather loose.
Willeford himself wrote the screenplay when this was turned into a movie, but it was not a commercial success.
To further complicate matters, Willeford presents Frank as a silent man who has taken a vow of silence till he wins the Southern Tournament. He communicates by hand signals and notes. Frank is a proud man and though at one point reduced to playing guitar for money, playing the only three songs he knew, he wouldn’t take charity.
Willeford never paints Frank as a saint, but as one who had a singleminded pursuit of a goal, to the exclusion of all else. For Frank, all that really mattered was winning at the tournament and he would abide by the rules no matter the outcome. Despite this, there are many in the story eager to break the customs and to welsh on their bets, bit not Frank. He would use any edge he could get, any trick, any additive, but they had to be within the rules.
The reader here will learn more about the sport of cockfighting than the reader could imagine whether you want to hear all the gory details. At its heart, it’s a story of obsession, of singlemindedness, of all that comes with it. There’s also a sense that the sport is pure and Willeford makes fun of others who tell their stories and those who put on airs. The fact that Frank doesn’t speak leaves lots of room for people to make fools of themselves.
Willeford himself said the book is loosely tied to Homer’s Odyssey. The key here is loosely. Like Ulysses, Frank can’t get home to Ocala until he accomplishes his tasks, but the parallel is rather loose.
Willeford himself wrote the screenplay when this was turned into a movie, but it was not a commercial success.