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100 reviews
April 17,2025
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I WAS reading a lot of espionage and western novels in the early 70s. In fact, I had started reading espionage in 1969 with “The Man from U.N.C.L.E.” novels and Ian Fleming’s “Goldfinger” which was followed by “Thunderball” and finally “You Only Live Twice”, both of which I read in 1970.


Ian Lancaster Fleming writing his novels in the bedroom of his house in Jamaica.

Of the three James Bond novels, I think I had liked “You Only Live Twice” the best. Maybe because the location was Japan and I was totally bewitched by the rich Japanese culture. I had already known several Japanese words like kimono, origami, geisha, sayonara and kamikaze through reading books and watching films while I picked up some more like sumo, harakiri and sake -- a Japanese rice wine -- from Mr. Fleming’s tome.


The cover of the novel I read as a schoolboy in Calcutta.

The novel started off with sumo wrestlers wrestling in an arena. Just imagine giant babies in pampers butting their heads to start the match. I am sure a 148kg sumo would be easily able to lift me up with his little finger, then roll me like a dice in his palm and throw me at the jubilant front seaters. However, I wouldn’t mind landing on the lap of a beautiful buxom Japanese woman or even a white Spanish senorita. Oh! Please excuse me for being carried away.


Sumo wrestlers lunge towards each other on a clay dohyo (an elevated ring).

Getting back to the novel. I think Ian Fleming also mentioned Bond playing ‘Stone, Paper, Scissors’ while on his spying business in Japan. Please feel free to correct me if I am wrong. Then there was this part about how some Japanese shrinked their testes through sheer practise and brain power so as not to get hurt if faced by some crazy rival. I was truly enthralled reading all this. I kept wondering as to how they did that.
Bond was skilled in judo and karate, so, naturally, the location being Japan, the novel had its fair share of that too. What would a bond novel be without fast and furious action!


Sean Connery poses for a publicity still.

A haiku from the novel became extremely popular when the book was first published and then again when the film was released in 1967. Nobody needs to be reminded that suave and sexy Sean Connery was its hero Bond, James Bond.
“You only live twice:
Once when you are born
And once when you look death in the face.”
Bond composes the haiku in the novel, but it is actually by Basho, a Japanese poet.
I thorougly enjoyed the book and found it to be the best of the three Bond novels I had read so far.




Playboy magazine featured excerpts from Ian Fleming's "You Only Live Twice" in its May and June 1964 editions, having artwork by Daniel Schwartz.

Towards the fag end of 1969, the film was released at a cinema hall in Calcutta. My elder brother took me along with two cousins to watch the night show. I loved the opening titles with the silhouettes of girls dancing in the nude, the sumo wrestlers ramming their heads with all their might and the volcano set (which is in reality Blofeld’s secret hideout). That is nearly about all that I liked about the film. It was no patch on the book. Besides, I did not find the Japanese heroine, Mie Hama, to be attractive or sexy at all, especially after having watched beautiful Bond heroines like Ursula Andress (Dr. No), Daniela Bianchi (From Russia With Love), Claudine Auger (Thunderball) and Honor Blackman (who starred in Goldfinger and remains my favourite to this day).
April 17,2025
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** 2019 UPDATE**
"You Only Live Twice" begins with James Bond in Japan, commiserating with new ally Tiger Tanaka and about to embark on a mission that will lead him to an unexpected fate on multiple fronts.
We flash back... and find that 007's time since the tragic conclusion of "On Her Majesty's Secret Service" has been an unfortunate downward spiral. M is going to fire him, save the advice of longtime Bond confidante Sir James Maloney. He requests M give Bond one more chance - an impossible mission to rekindle the spirit within.
The MacGuffin in this one is not quite as straightforward as novels past. This is not as strong a story as the classics Fleming has given us previously, but you have to hand it to him for being willing to depart in such a different direction. And in the final pages, we find out a lot about James Bond's past, new present and future...
YOLT is quite unique, yet still essential reading. 3 1/2 stars.
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There are no other 007 films quite like this one. Not only is James Bond facing off with real ramifications from the events of the previous chapter "On Her Majesty's Secret Service," he is in danger of losing his job and will to live. In a final chance, he winds up in position to gain the revenge he rightfully relishes and the ending is quite satisfying for his character but open-ended for all of us. Definitely a page-turner and must-read as James Bond has a rematch with his arch-nemesis, his Moriarty, Ernst Stavro Blofeld.
April 17,2025
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I was desperate to sink my teeth into this book after the ending of ‘on her majesty’s secret service’. I love Japanese culture, so the setting for this book was a dream for me. However, some of the racist remarks left me feeling a little uncomfortable.
This is installment seemed to lack the action and tension of previous books, and I didn’t care much for the love interest between Bond and Kissy. However, I felt like I was transported to Japan and loved the unusual villainous plot that the book focused on. I also didn’t expect the ending, and loved how different it was to all the previous endings.
April 17,2025
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Not as much action as I expected for a Bond story. In this James is touring Japan and being diplomatic. It felt like Fleming was stretching with extended descriptions, a la guidebook, of plants, as well as in a few other places where it feels like a tourist guidebook. And Bond's behavior is quite odd, he's in a funk that he really doesn't get over until the end, then only for a short while. As you come to expect, there are long monologues by the villain, and there are some highly unlikely plot devices that stretch credibility beyond what I normally would expect with Bond to the truly cartoonish - the end felt a bit like Roadrunner and Coyote-level plotting. Then again, no worse than the movie loosely based on this. This does give a glimpse into Japanese society, if you can trust it, and the further decline of the Empire. These were the interesting bits. You Only Live Twice, but I'll only read this once.
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