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Much of the charm of this sort of monograph lies in judicious wandering off the main topic and back... and in that regard I have to admit I found Kurlansky rather heavy-handed. He's grimly focused on a single storyline: New York City was built on top of shit-tons of oysters, but a classic tragedy of the commons has left the Big Oyster with nary a namesake to call its own. For light relief, he reprints numerous old oyster recipes -- and you know, there aren't THAT many fundamentally different ways to cook oysters. Bounty, recipe, overharvesting, recipe, pollution, recipe, culminating in oystergeddon... that's pretty much your outline right there.
It's a shame because there are so many obviously alluring narrative loops that could have adorned this topic. Just some things I wondered as I was reading:
* Turns out that the European oyster of art and literature (Ostrea edulis) and the American/Asian oyster (Crassostrea) are not just different species but different genera. How, why, ker-what? Did they have a recent common ancestor that went extinct, or did they somehow evolve separately? The Atlantic is so much smaller than the Pacific... why does the genus line split there? Lay some science on us, yo!
* For many centuries, oysters and fowl were considered a supernal culinary pairing... but it's a taste that seems to have died out except in certain Thanksgiving stuffing recipes. How does a foodway go from the top of the heap to oblivion so quickly?
* Why DO different oysters taste so different? Is the taste more affected by variety, or by whatever the piscine version of "terroir" is?
* What would it even mean to have a "natural" oyster bed when apparently humans have been oyster farming in all the major areas for over a century, and have consequently imported foreign species all over the world?
* Is oysters rockefeller the definitive New York oyster dish? If so, how come it makes no appearance here?
The best and most relaxed parts of this book are the sections on oyster harvesting and cultivation. The worst and tensest parts are when Kurlansky gets on some kind of weirdly moralistic "oysters up, cities down" high horse.
It's a shame because there are so many obviously alluring narrative loops that could have adorned this topic. Just some things I wondered as I was reading:
* Turns out that the European oyster of art and literature (Ostrea edulis) and the American/Asian oyster (Crassostrea) are not just different species but different genera. How, why, ker-what? Did they have a recent common ancestor that went extinct, or did they somehow evolve separately? The Atlantic is so much smaller than the Pacific... why does the genus line split there? Lay some science on us, yo!
* For many centuries, oysters and fowl were considered a supernal culinary pairing... but it's a taste that seems to have died out except in certain Thanksgiving stuffing recipes. How does a foodway go from the top of the heap to oblivion so quickly?
* Why DO different oysters taste so different? Is the taste more affected by variety, or by whatever the piscine version of "terroir" is?
* What would it even mean to have a "natural" oyster bed when apparently humans have been oyster farming in all the major areas for over a century, and have consequently imported foreign species all over the world?
* Is oysters rockefeller the definitive New York oyster dish? If so, how come it makes no appearance here?
The best and most relaxed parts of this book are the sections on oyster harvesting and cultivation. The worst and tensest parts are when Kurlansky gets on some kind of weirdly moralistic "oysters up, cities down" high horse.